Showing posts with label Music. Show all posts
Showing posts with label Music. Show all posts

Tuesday

Kanye West documentary-maker 'disappointed' by Netflix editing row

The director of Netflix's new Kanye West documentary was left disappointed -- though not surprised -- by the controversial rapper's last-minute demand to recut a movie decades in the making, he told AFP.

Clarence "Coodie" Simmons started following his friend West with a camera in 2001, curious to see how far the ambitious young music producer from Chicago could go, and eventually amassed 320 hours of behind-the-scenes footage of his journey to international stardom.

The first part of seven-hour movie "jeen-yuhs: A Kanye Trilogy" will be released by Netflix on Wednesday, but the famously perfectionist West last month took to Instagram demanding "final edit and approval" on the project, in order to "be in charge of my own image."

"I told Kanye he had to have 100 percent trust in this film ... he said he trusted," said Simmons. 

"So when I seen that Instagram, I was a bit disappointed."

As recently as last week, West -- now known as Ye -- continued to issue demands, such as having fellow rap superstar Drake take over the narration. 

Ironically, Simmons had gone to significant lengths to ensure West was happy, scrapping plans to first release the footage back in 2005 because West "said he wasn't ready for the world to see the real him."

The pair later grew apart and Simmons had little access to West for the next decade or so.

But in a seeming reconciliation, West showed up at a Hollywood screening of the documentary Friday, hugging Simmons and telling the audience that "people try to cancel us and we all run away from each other and scatter or we be not talking to each other, not communicating."

'Put the camera down'

The documentary touches on West's mental health issues, including a bi-polar disorder, which led to him being hospitalized in 2016 and came under renewed spotlight during his bizarre run for the US presidency in 2020.

Filming a meeting two years ago in which West ranted to real estate investors that he had taken bi-polar medication to "have a normal conversation and turn alien into English," Simmons felt concerned enough by his friend and subject's behavior to turn off the camera.

"It was my first time ever capturing Kanye in that light," Simmons, a former comedian and television host, said.

"I just felt like I had to put the camera down so I could listen and be there for him as a brother and not as a director, so that's the reason I put it down.

"It happened a couple other times where I'm like, 'Okay, let me pay attention.'"

At Friday's screening, West said he had made "what y'all might think are mistakes in public" to show the world that limits imposed on Black people are "just a smokescreen."

"We on labels we don't own, play for basketball teams we don't own. The time is now," he said.

'Carefree' Kanye

The controversy surrounding West's demands for creative control over "jeen-yuhs" has undoubtedly drawn more publicity to the documentary.

But Simmons and co-director Chike Ozah hope that showing West's more vulnerable and sometimes embarrassing moments during his rise to greatness will help the world reassess a figure known for frequent arrogant and egocentric outbursts.

For instance, Ozah highlights an early scene at diner chain Denny's, where West is celebrating the removal of wires from his jaw following a serious car crash.

"He's only been taking liquid foods so he's dropped some considerable amounts of weight, he's got a little six pack," recalled Ozah.

"It's a moment you share with Kanye, where he even takes the camera from Coodie and starts filming Coodie, and he just seems so carefree and so happy.

"That's a moment that you just cherish, to see him in that space."

So, after all these years, is West now ready for the world to see the real him?

"It's not really about him being ready ... I would hope that he will see this film," said Simmons.

"The world needs to see this," he added. "It's not about me and Kanye."

Agence France-Presse

Friday

'Nevermind' baby sues Nirvana again

The man depicted as a naked baby on Nirvana's 1991 album "Nevermind" has revived his lawsuit accusing the band of sexually exploiting him, after a US judge dismissed an earlier version of the case.

Spencer Elden, the plaintiff, maintained in an amended complaint filed on Wednesday in Los Angeles that the "lascivious nature of his image" amounted to "child pornography" that helped the band reap tens of millions of dollars at his expense.

Nirvana drummer Dave Grohl and bassist Krist Novoselic; Courtney Love, the widow of Nirvana lead singer Kurt Cobain; several record labels, and photographer Kirk Weddle are among the 10 defendants. Elden is seeking at least $150,000 from each.

Lawyers for the defendants did not immediately respond on Thursday to requests for comment.

The "Nevermind" cover art depicted Elden, then four months old, swimming naked toward a dollar bill pierced with a fish hook, an image Elden has said caused him "lifelong damages."

Elden filed his amended complaint nine days after US District Judge Fernando Olguin dismissed an earlier version because Elden had not responded to the defendants' dismissal motion.

The latest complaint includes a declaration from art director Robert Fisher, describing a stock photo he used for a mockup for the "Nevermind" cover that depicted a different baby and did not show his penis.

Elden said the band decided to create its own photo to save money, with Cobain sardonically suggesting that the cover include a warning sticker saying: "If you're offended by this, you must be a closet pedophile."

Fisher was dismissed as a defendant last month.

Elden's lawsuit no longer accuses Nirvana of violating a 2003 federal law against child sex trafficking, after the defendants said that law could not be applied retroactively.

"Nevermind" features Nirvana's signature song "Smells Like Teen Spirit," and its worldwide sales exceed 30 million. Grohl now leads the band Foo Fighters. Cobain died in 1994.

Reporting by Jonathan Stempel in New York; Editing by Bill Berkrot

-reuters

Monday

Kurt Cobain’s ‘Unplugged’ guitar sells for record $6 million at auction


The guitar that grunge rock icon Kurt Cobain played during his legendary 1993 MTV Unplugged performance sold Saturday for a record $6 million (over P300 million), the auction house said.

The retro acoustic-electric 1959 Martin D-18E that Cobain strummed for Nirvana’s career-defining performance in New York, just five months before he took his own life at age 27, sold after a bidding war to Peter Freedman, founder of RODE Microphones, Julien’s Auctions said.



At $6.01 million after fees and commission, the instrument was the most expensive guitar ever sold at auction, among other records. The starting estimate was $1 million (over P50 million).

Freedman said he plans to display the guitar in a worldwide tour, with proceeds going to benefit performing arts.

“When I heard that this iconic guitar was up for auction, I immediately knew it was a once-in-a-lifetime opportunity to secure it and use it as a vehicle to spotlight the struggles that those in the performing arts are facing and have always faced,” the Australian was quoted as saying by Julien’s Auctions.

The guitar was sold with its case, which Cobain had decorated with a flyer from punk rock band Poison Idea’s 1990 album “Feel the Darkness”.


Until now, the most expensive guitar in history was a Fender Stratocaster, dubbed “Black Strat”, used by Pink Floyd guitarist David Gilmour. It had been sold by the musician for nearly $4 million (over P200 million) during a charity sale in June 2019.

Nirvana’s acoustic performance during the taping for the popular MTV Unplugged series on November 18, 1993 became what is considered one of history’s greatest live albums.

It included renditions of Nirvana’s hits “About A Girl” and “Come As You Are”, along with covers which include David Bowie’s “The Man Who Sold the World”.





 In October 2019, Cobain’s cigarette-singed cardigan worn during the “Unplugged” performance sold for $334,000 (about P16.7 million).

Agence France-Presse

Saturday

WATCH: Clip of David Bowie in ‘Stardust’ falls to earth on YouTube


Some four years after his death, a previously unreleased clip by Bowie, “Repetition ’97”, recently fell to earth on YouTube.

At a time when the Tribeca Film Festival has just announced the debut of select 2020 Festival programming online, David Bowie fans were delighted to discover a short extract from “Stardust”.



Written and directed by British filmmaker Gabriel Range, the film takes us on a road trip with the young Bowie in 1971. Then aged 24, the singer is just about to embark on a transformation that turned him into Ziggy Stardust, his first and most famous alter ego which immediately made him a pop icon.

The short sequence centers on a scene in which David Bowie, whose real name was David Robert Jones, discusses his prospects in the United States with Ron Oberman, a publicist for Mercury Records.

When Bowie raises the issue of Mercury’s doubts about his album “The Man Who Sold the World” and his United States tour, Oberman insists that he has none whatsoever.

AFP Relaxnews

The Beatles’ legend lives on, 50 years after breakup


When The Beatles went their separate ways in the early 1970s, few thought that half a century later the pioneering band would still influence pop music culture.

But, with Friday marking 50 years since their unofficial breakup, the so-called “Fab Four” are still popular and present, in spirit if not in the flesh.

“The Beatles were said to have been the 20th century’s greatest romance, but no one then could have foreseen that such an already phenomenal accomplishment would extend into the next century,” band historian Mark Lewisohn told Agence France-Presse.

“Fifty years now after breaking up, The Beatles remain an artistic ultimate, leading creative people everywhere to the limitless playing field, open to all,” said the ardent author of “Tune in,” the first installment in a trilogy, “The Beatles: All These Years.”

Flashback to April 10, 1970, release of an interview with Paul McCartney, in which he suggested The Beatles were done making records together, and the band’s legacy seemed far less certain.

Given shortly before the release of his first solo album, McCartney stopped short of announcing the formal breakup of the band in the brief and ambiguous Q&A.

But asked if he foresaw a time when his prolific songwriting partnership with fellow Beatle John Lennon would restart, his blunt reply—”no”—spoke for itself.

“McCartney Breaks Off With Beatles,” The New York Times headlined.

A British High Court case later that year to dissolve the business partnership made it official.

‘Indestructible’

The band’s acrimonious split left fans inconsolable, recalled Philip Norman, who has written several books on The Beatles, including the official 2016 Paul McCartney biography.


“A whole generation had grown up with The Beatles… they had a Beatles album for every important stage in their life,” he said.

“A lot of people thought it’s just dreadful… it’s just a bleak future without them. It truly did feel that way.”

But the band’s bountiful catalogue has aged well.

They remain the best-selling music artists of all time, with enduring hits from “I Want to Hold Your Hand” and “Hey Jude” to “Yesterday” and “Let It Be” familiar to at least four generations of fans.

“They’re not over,” Norman told AFP. “They’re still everywhere. They’re still in our language. They’re in our headlines… quoted all the time, their music is still played.

“The charm is just indestructible.”

‘No off-switch’

After busting out of Liverpool, England, in 1960, The Beatles—Lennon, McCartney, drummer Ringo Starr and lead guitarist George Harrison—became a social phenomenon.

But by the late ’60s, with the band “more popular than Jesus”—as the late Lennon once quipped—so-called Beatlemania was taking its toll.

He confessed in a recently discovered interview that the 1965 song “Help!” was a cry for exactly that.


“It was real. I was singing ‘Help!’ and I meant it,” he said. “There is no off-switch. You are on 24 hours a day… everyone wants a bit of you.”

Meanwhile, relations within the band, especially between Lennon and McCartney, had frayed.

By the time of McCartney’s announcement, they had not played live in four years. Starr and Harrison had solo records as well, while Lennon and his Japanese artist wife, Yoko Ono, had formed the Plastic Ono Band.

McCartney formed Wings, which included his wife, Linda, in late 1971 and despite initial criticism, it eventually prospered.

He, Harrison and Starr had fruitful solo and collaborative careers, while Lennon and Ono increasingly devoted their attention to pacifist activism.

‘Giant talents’

The Beatles almost got back together in the mid-1970s, but issues involving rights could not be resolved, according to Norman.

Then, in 1980, Lennon was shot dead in New York by Mark David Chapman, believed to suffer from mental illness.

McCartney said in 2016 that he had fortunately patched things up with his former bandmate before tragedy struck.

In 1982 he wrote “Here Today,” and later explained it was his way of saying “I love you” to Lennon. 


The pair’s relationship had been The Beatles’ main creative force.

“Lennon and McCartney were giant talents and produce an absolutely magical product together,” said Norman.

“Very different individuals but (they) just combined perfectly like virgin olive oil and vinegar—the perfect dressing.”

For Lewisohn, The Beatles continue to shine in today’s more manufactured pop music climate.

“There’s a universe of difference between shallow celebrity… and the true artistry with which The Beatles and other creative talents nourish the soul and inspire joy,” he declared. CL /ra

Agence France-Presse

Tuesday

Don't stop the music: DJ hosts 10-hour Instagram dance party


Just because there's a pandemic going on, doesn't mean the party has to stop. And one DJ has kept it going – for 10 hours at a time.

The coronavirus has upended daily lives, with thousands of deaths around the world. Many people are staying at home in an effort to stem the rapid-fire spread.

Celebrity DJ D-Nice has begun hosting virtual dance parties on his Instagram Live channel in an effort to lift spirits as people self-isolate over coronavirus concerns.

Many of his A-list friends – including Rihanna, Common and John Legend – have made guest appearances thanks to Instagram Live's split feature, which lets two people appear in a split-screen.

On March 18, D-Nice posted on Instagram that he would be hosting "Home School", a "social distancing dance party".

He set up his turntables in his kitchen and invited his 950,000 followers to tune in and dance along.

What followed was a nine-hour long party that featured guest appearances from celebrities such as LL Cool J, Mary J Blige, Naomi Campbell and Lena Waithe.

"I can't believe that I started the Home School social distancing dance party just four days ago and it's become a place for us to virtually dance together and stay connected," D-Nice wrote in an Instagram post March 19.

"From my kitchen, I'm able to send positive vibrations to each of you."

D-Nice, who first entered the music scene in the 1980s as a member of the Bronx hip-hop group BDP, has begun hosting nightly dance parties in his kitchen, officially dubbed "Club Quarantine".

More than 100,000 people tuned in for his March 21 celebration, which lasted for 10 hours and had appearances from former first lady Michelle Obama, presidential hopefuls Joe Biden and Bernie Sanders, and musician Diddy – who also sent the DJ a bottle of Ciroc vodka, in which Diddy owns a stake, during the set.

The party also included a shoutout to healthcare workers battling the coronavirus.

"Homeschool is a thing!" D-Nice said in a March 21 post. "This has been a great way to keep our spirits high."

Chasten Buttigieg, who is married to former presidential hopeful Pete Buttigieg, agreed.

"Thanks for the dance party last night @djdnice," Chasten tweeted on the morning of March 22.

"Pajamas acceptable, nobody to judge my dance moves, all the snacks I preferred – honestly we should do this more often."

D-Nice seems only too happy to oblige: class resumes Sunday night. – AFP Relaxnews

Sunday

Sam Smith notices mysterious singer from Bacolod City



CEBU CITY, Philippines— Remember the boy from Bacolod City, Negros Occidental who went viral after belting to Sam Smith’s Too Good at Goodbyes?

Well, his viral video has reached Sam Smith himself!

Smith took to Twitter last night, February 8 and tweeted the video of the boy singing inside a mall in Bacolod City.

He tweeted, “WHO IS THIS KID!!!!!!? YOU ARE OUT OF THIS UNIVERSE WHOEVER YOU ARE <3.”




The video was first posted by netizen, Trixie Madison and quickly circulated online.

With the many shares and with how the video created abuzz online, with just four days after its posting, Sam Smith finally took notice of the video.

And with this post from Smith, the Twitter world broke and introduced the mystery singer, Carl Malone Montecido, who has already competed in Showtime’s Tawag ng Tanghalan Season 1.

Now, this is surely an exciting singing event we all can’t wait to happen. /dbs

source: cebudailynews.inquirer.net

Wednesday

Waking up to music could make you more alert


Your choice of alarm sound could have an impact on your level of alertness after waking, reports an Australian study published at the end of January.

If you are not an early bird, hopping out of bed at dawn can be something of an ordeal. And the choice of the alarm that you use may be more important than you think. Researchers at the Royal Melbourne institute of Technology (RMIT, Australia), who recently published a study in the journal Plos One, have studied the impact of different types of alarm sounds and how they help dispel feelings of grogginess on waking.



The phenomenon of “sleep inertia,” as it is called, is a state of incomplete transition to wakefulness that can result in a groggy feeling that can last for up to four hours after getting out of bed. The goal of the new study was to understand how the decision to use a sound or music as an alarm can reduce the persistence of this state.

“If you don’t wake properly, your work performance can be degraded for periods up to four hours, and that has been linked to major accidents,” points out Stuart McFarlane, who led the study.

The study involved 50 adults who participated in an experiment that was specially designed for them to conduct at home. The principle consisted of recording the type of sound they used to wake up, and then assessing their level of alertness by answering specific questions related to sleep inertia.

Opt for a melody rather than a startling ‘beeping’ noise


The results showed that people who used music as an alarm had higher levels of alertness than those who opted for a strident “beep” sound. “You would assume that a startling ‘beep beep beep’ alarm would improve alertness, but our data revealed that melodic alarms may be the key element. This was unexpected,” remarks Stuart McFarlane.

“We think that a harsh ‘beep beep beep’ might work to disrupt or confuse our brain activity when waking, while a more melodic sound like the Beach Boys ‘Good Vibrations’ or The Cure’s ‘Close to Me’ may help us transition to a waking state in a more effective way,” adds Adrian Dyer, a co-author of the study.

While further research on a larger sample may be needed to support this theory, the findings of this study highlight the potential benefits of waking up to music in the fight against sleep inertia.

“This is particularly important for people who might work in dangerous situations shortly after waking, like firefighters or pilots, but also for anyone who has to be rapidly alert, such as someone driving to hospital in an emergency,” points out Stuart McFarlane. JB

AFP Relaxnews

Saturday

Rock band founded by Fil-Am cousins is up for Grammy


DALY CITY, California – A rock band founded in this city by Filipino American cousins in 1982 is among headliners at this year’s Grammy Awards.

The seminal heavy metal band Death Angel, a progenitor of the “thrash metal” subgenre, received its first-ever nomination in its nearly 40 years on the stage, on the road and on records.


The band’s ninth album, “Humanicide” is facing Candlemass for “Astorolus – The Great Octopus”; I Prevail for “Bow Down”; Killswitch Engage for “Unleashed”, and Tool for “7empest” for Best Metal Performance at this year’s Grammy Awards.

Produced by Jack Suecof, the Death Angel album was released last May.  It wowed Germany, whose rockers made it the nation’s 19th-ranked album, according to Offizielle Top 100 of 2019.

Also nominated is Filipino American R&B singer-songwriter H.E.R., as Gabriella Wilson is known in the industry.  Last year the Vallejo, California, native won the Grammy for Best R&B Performance and Best R&B Album.  She is nominated for five categories including Album, Record and Song of the Year with her album “I Wsed to Know Her” and “Hard Place.”

Named after the title of a book, Death Angel, is fronted by lead guitarist Rob Cavestany, the only one remaining of the original members. His cousin Mark Osegueda, who is also Filipino and reportedly the band’s former roadie, does lead vocals. Another Filipino and newer member, Ted Aguilar, plays rhythm guitar along with Damien Sisson on bass, and Will Carroll on drums.

“I was right here on this tour bus, behind my bunk at 5 a.m., when I woke up to our lead singer Mark shaking me,” Cavestany reveals in a Grammy Awards teaser how he learned about getting the industry nod for the first time.

He said the first person he called was his wife.  He disclosed that what most excited him about the 62nd Grammy Awards was meeting singer-songwriter-pianist Alicia Keys, a child musical prodigy.  Keys will host the ceremonies scheduled Sunday, January 26 at Staples Center in Los Angeles.

Death Angel defines Thrash Metal, the subgenre that takes rock rage to a new aggressive level.  Perhaps the most popular thrash metal band is Metallica, the Rock and Roll Hall of Famers also born in the San Francisco Bay Area, whose lead guitarist is Filipino American Kirk Hammett.  In 2003 Rolling Stone named Hammett 11th among the 100 Greatest Guitarists of All Time.

Over the years, Death Angel has released nine studio albums, one box set and two live albums. It has weathered transitions, including the departure and return and second exit of founding member Andy Galeon, the original drummer.  Galeon, Cavestany, Dennis Pepa and Gus Pepa (who share a surname but are not brothers, Galeon noted) formed the original Death Angel in 1982.

Galeon left in 1991 when the band broke up temporarily.  He rejoined them 2001, after performing together at a benefit concert for a brother rocker, Chuck Billy of Testament, who was coping with cancer.  They regrouped afterwards, recorded and toured, but Andy opted out again in 2009; he was by then married and a father, saying his time had come to “move on.”


“That’s great!” Galeon raved about the Grammy nomination.  “I congratulate the guys for keeping the fire burning, passing the torch to a younger generation discovering thrash music.”

Galeon says the cousins, all US-born and raised in Daly City and Concord, California, naturally gravitated together being children of a musically inclined family.  His mother, the late community leader Erlinda Tiongco Galeon, played the marimba and the piano.

Their parents encouraged their passion for rock.  Their gigs were one of the rare reasons Erlinda Galeon, a Daly City Library Trustee and director of several nonprofit boards, would beg off from meetings and presentations.  She and her mom squad would scream the loudest near mosh pits, as fired up as their sons on stage.

Andy Galeon counts Black Sabbath, Rush, Scorpions and Iron Maiden as predecessors whose music inspired Death Angel.

Though he has stepped away from the band, he still gets together with them.

“We’ll always be cousins,” said the drummer who plays with “local bands around the Bay Area.”

source: usa.inquirer.net

Eminem drops surprise album, advocates changes to gun laws


Rapper Eminem once again dropped a surprise album, releasing “Music to Be Murdered By” on Friday — along with a video that calls for changes to gun laws.

The follow-up to 2018’s “Kamikaze” — also released without warning — was announced on Twitter just after midnight.


The Detroit rapper’s new music video for “Darkness,” one of the album’s 20 tracks, depicts a shooting at a concert. The lyrics and storyline of the video specifically allude to the 2017 mass shooting at a music festival in Las Vegas that left 58 people dead, making it the deadliest mass shooting in modern U.S. history. It closes with audio and video footage of news broadcasts from other recent mass shooting around the U.S. and an appeal to register to vote.

“When will this end? When enough people care,” reads the text at the end of the video. “Register to vote at vote.gov. Make your voice heard and help change gun laws in America.”

A link to the music video on Eminem’s website encourages viewers to contact or visit several gun violence prevention organizations, including Everytown for Gun Safety and Sandy Hook Promise.

The cover art features blood spatter and a bearded Eminem clad in a suit and fedora and holding a shovel. An alternate cover features the same splatter, with a now hatless Eminem holding both a hatchet and a gun to his head in an homage to Alfred Hitchcock’s 1958 album of the same name: “Inspired by the master, Uncle Alfred!” Eminem tweeted.

“Music to Be Murdered By” is Eminem’s 11th studio album, according to his website.

Among many collaborators, the album features Ed Sheeran, Skylar Grey, Anderson .Paak and Juice WRLD, the 21-year-old rapper who died in December.

source: entertainment.inquirer.net

Wednesday

YouTube teases new Coachella documentary


YouTube Originals is partnering with the Coachella Valley Music and Arts Festival for a special documentary celebrating the festival’s 20th anniversary.

According to a press statement from YouTube, “Coachella: 20 Years in the Desert” will include “exclusive, never-before-seen footage and interviews” documenting the Californian festival’s colorful history.


The documentary will also feature performances by some of music’s biggest names, including Billie Eilish, Kanye West, Daft Punk, Travis Scott, Blackpink, Swedish House Mafia, Björk, The White Stripes, Madonna, Moby, Beck, Radiohead and others.

In addition to releasing the Chris Perkel-directed “Coachella: 20 Years in the Desert”, YouTube will return this year for the 10th year in a row as the official playlist and livestream partner for both weekends of the festival.

As is tradition, YouTube Premium members will receive exclusive access to a limited supply of passes for the 2020 edition of Coachella, which will take place across the second and third weekends of April.

General on-sale passes for weekend 1 (April 10 to 12) are currently sold out, while tickets for the festival’s second weekend (April 17 to 19) went on sale Jan. 6.

The announcement of “Coachella: 20 Years in the Desert” arrived on the heels of the star-studded lineup for the 2020 edition of the festival, which will be headlined by Travis Scott, Frank Ocean and Rage Against the Machine.

Weekend 1 is sold out ðŸŒ´ Register for Weekend 2 presale at https://t.co/x8PRTb12Eh. Presale starts Monday 1/6 at 12pm PT pic.twitter.com/QPRYnJVe9P

— Coachella (@coachella) January 3, 2020

Additional performers include Thom Yorke, Lana Del Rey, Lil Uzi Vert, FKA twigs, DaBaby, Run the Jewels, Megan Thee Stallion, Lil Nas X, City Girls as well as Charli XCX.

Film composer and former Oingo Boingo frontman Danny Elfman will also make a special appearance at the festival, leading fans to speculate about whether he will perform some of his most popular compositions like the scores of “The Nightmare Before Christmas”, “Edward Scissorhands” and “Men in Black”.


I guess the cat is out of the bag. @coachella 2020!

Danny Elfman… Past, Present and Future! From Boingo to Batman and Beyond!#coachella #coachella2020 pic.twitter.com/qVKk4Siq3z

— Danny Elfman (@dannyelfman) January 3, 2020

This is not the first time that an award-winning film composer will take the stage of the Empire Polo Club.

Hans Zimmer made his debut at Coachella in 2017, bringing some of his most famous soundtracks to life alongside a full orchestra and special guest Pharrell Williams.

Ahead of the 2020 edition of Coachella, watch the newly-released teaser for “Coachella: 20 Years in the Desert”:

source: entertainment.inquirer.net

Saturday

Tina Turner mural defaced at record store

























Employees at a record store in North Carolina say a mural of pop star Tina Turner has been defaced
with a red swastika.

The Citizen Times reported Thursday that the mural is outside Static Age Records in downtown Asheville.


Store owner Jesse McSwain said someone unconnected to the store apparently covered the mural in a black sheet before he could address the situation. Static Age called police and the Southern Poverty Law Center.

McSwain said that his store is “a widely inclusive, safe space” and that “hate speech will get you out the door.”

The record store uses its pulldown storefront to honor music legends. They have included Screamin’ Jay Hawkins, Lemmy from Motörhead and Lou Reed. Turner’s mural was based on her character in the film “Mad Max: Beyond Thunderdome”. RGA

source: entertainment.inquirer.net

Rock ‘n’ sausage roll tops UK Christmas charts


A novelty song about sausage rolls secured the coveted Christmas number one spot Friday on the U.K. singles charts.

LadBaby landed the festive crown for the second year running with “I Love Sausage Rolls” — a comedy reworking of “I Love Rock ‘n’ Roll”, which was a 1982 hit for U.S. singer Joan Jett.


Last year LadBaby — 32-year-old YouTube ‘dad blogger’ Mark Hoyle — topped the charts at Christmas with “We Built This City”, a similar sausage roll-based revamp.

Proceeds from the single are going towards The Trussell Trust foodbank charity.

LadBaby became the first artist to serve up two consecutive novelty Christmas number ones.

The only other acts to have pulled off back-to-back festive chart-toppers are The Beatles between 1963 and 1965 and the Spice Girls, who also had three straight Christmas number ones between 1996 and 1998.

“How have we done this again? It’s the best feeling in the world — it’s a Christmas miracle yet again!” said Hoyle.

“Who doesn’t love a sausage roll at Christmas?”

LadBaby beat Stormzy’s “Own It” featuring Ed Sheeran to the top spot, while Lewis Capaldi’s “Before You Go” rose one place to number three.

The battle to secure the Christmas number one took off in the 1970s, seeing some epic contests between huge hits.

Queen’s “Bohemian Rhapsody”, “Mull of Kintyre” by Wings, Band Aid’s “Do They Know It’s Christmas?” and “I Will Always Love You” by Whitney Houston were all giant Christmas chart-toppers.


Since 2002, the race has commanded less national excitement, being predictably dominated by reality television contest winners — though novelty records and charity singles have recently started to chip their way in.

Meanwhile, Rod Stewart has the Christmas number one album with “You’re In My Heart”, a collection of his classic hits with new backing from the Royal Philharmonic Orchestra.

Stewart is only the fifth British act in UK chart history with 10 or more number one albums; only The Beatles, Robbie Williams, the Rolling Stones and David Bowie have more. NVG

source: entertainment.inquirer.net

Thursday

Coke Studio continues to go beyond supporting OPM to advocating for the environment


Coca-Cola has been on a constant mission to refresh the world by providing people with moments of happiness, moments where they can enjoy and pursue their passions. The ultimate testament to this is Coke Studio, a platform that has shown how Coca-Cola not only refreshes its customers with its beverages but also refreshes the local music scene by supporting the best and brightest of OPM.

Going beyond promoting OPM, Coke Studio rallies Filipino musicians and music-lovers to elevate the music scene with an uplifting purpose – advocating for environmental protection.  Since Coke Studio Philippines was first launched in 2017, it has seamlessly weaved two of its advocacies together, becoming a reflection The Coca-Cola Company’s firm stance on caring for the planet. This is an advocacy which the Company has continuously practiced across the board, from its operations to its various programs and campaigns including Coke Studio.



In 2018, this advocacy for sustainability was taken further when Coca-Cola announced its goal to creating a World Without Waste. The already-established Coke Studio became the perfect platform to introduce this vision to the youth. Now, three seasons in, Coke Studio continues to amplify the message of environmental protection through music.

With music as a powerful, unifying force, Coke Studio concerts and events have not only brought teens together to enjoy the best of OPM, but have also become spaces where the youth learn and practice mindful consumption. Across its three seasons, each concert and roadshow has been thoughtfully-planned to inspire environmental stewardship among event-goers, educating them on proper waste management and providing them the facilities for responsible waste disposal.

After mounting numerous concerts and events in universities, fiestas, to festivals nationwide, Coke Studio has continued to shift the youth’s perceptions on PET bottles from a use-and-dispose product to one with multiple lives and instilled the importance of collection, segregation, and recycling.

A testament to how involved the youth were in these green and sustainable activations, Coca-Cola was able to collect and divert an estimated 9,500 kilograms of PET bottles which will be recycled into new products such as T-shirts, benches, and even the iconic Coke Studio earphones with the help of its recycling partners.

Coke Studio has redefined and set a new standard for environmentally-conscious activations, events and consumer engagements with its goal of uniting and empowering the youth to become a part of the solution in protecting the planet.

source: entertainment.inquirer.net

BTS sweeps top prizes at 2019 MAMA in Nagoya


SEOUL — K-pop sensation BTS picked up nine prizes at this year’s Mnet Asian Music Awards in the Japanese city of Nagoya on Wednesday, monopolizing the biggest Asian music awards event.

The septet took home the top three prizes at the 2019 MAMA — Album of the Year, Artist of the Year and Song of the Year — winning big at the awards ceremony held at Nagoya Dome.


Six other awards including Best Male Group, Best Dance Performance-Male Group and Best Music Video also went to BTS.

“Year 2019 has been a year of really intense and hard work. Looking back, we had (a time) when we almost gave up, but after some time we can now smile over the past,” member Suga said, lifting the Artist of the Year trophy.

“Over the past year, we have grown more and become stronger,” he said.

Member J-Hope said in a separate speech after taking the Album of the Year prize that BTS “will try to provide a positive influence and good messages.”

Member Jimin hinted at the band’s next album, saying, “We are preparing our next album and we might be able to come up with an album that is far better than what you are expecting.”

Separately, veteran singer Lee So-ra’s 2019 song featuring Suga, “Song Request,” was named Best Collaboration during the three-hour awards and performance ceremony.

Girl band TWICE took home Best Dance Performance-Female Group and Best Female Group, while female quartet Mamamoo won Favorite Vocal Performance.

ITZY and Tomorrow X Together lifted Best New Female Artist and Best New Male Artist, respectively.

The 2019 MAMA was well received by fans in Japan despite on-going diplomatic and trade disputes between Seoul and Tokyo stemming from their shared history.


MAMA organizer CJ’s choice of Nagoya had raised eyebrows among South Korean fans after the city temporarily suspended the exhibition of a symbolic Korean sculpture during the city’s hosting of the Aichi Triennale art festival in the wake of the bilateral rows earlier this year. Yonhap

source: entertainment.inquirer.net

Billie Eilish, Lizzo, Lil Nas X named 1st Apple Music Award winners


LOS ANGELES — Billie Eilish will be the first recipient of the Apple Music Award for global artist of the year, one of three honors for the pop singer.

Apple announced Monday that Eilish’s “When We All Fall Asleep, Where Do We Go?” has been named album of the year. Eilish and her brother Finneas will also receive songwriter of the year honors.


Eilish will perform a live-streamed concert from the Steve Jobs Theater at Apple’s campus in Cupertino, California, beginning at 6:30 p.m. PST on Wednesday.

Lizzo has been named the breakthrough artist of the year.


Lil Nas X’s “Old Town Road” is the company’s pick for song of the year.

The company says its album and song of the year honors are determined by streams on its Apple Music service. Other awards are determined by Apple Music’s editorial team. NVG

source: entertainment.inquirer.net

Wednesday

Ubisoft to include more K-pop songs in ‘Just Dance 2020’


Video game company Ubisoft will be including more K-pop tracks in its official roster of songs for “Just Dance 2020.”

Ubisoft Asia managing director Steve Miller revealed the decision to inject more K-pop songs in the dancing game at the Rainbow Six Pro League Finals in Tokoname, Japan, over the weekend, as per Ungeek yesterday, Nov. 11.

“K-Pop is huge, not only in our region, but also popular/trendy in the west as well,” Miller told the gaming blog.

He added that having more K-pop songs would “help make the game popular around the world.” Miller also pointed out that he was a “big fan” of the music genre himself.


The current official tracklist of “Just Dance 2020” includes other K-pop songs such as Blackpink’s “Kill This Love” and 2NE1’s “I Am The Best.”

However, other fans were not pleased with how the choreographies of the already-included K-pop tracks in the latest “Just Dance” game were adapted, as per report. One of the songs that did not feature the exact same choreography performed by its original singers was “Fancy” by Twice.


Addressing the inaccurate match of the dance moves in the game and the steps in the original music videos, Miller said: “Probably the biggest reason for that has to do with restrictions on the content that we are allowed to reproduce. [Specifically] the content that our rights allow us to reproduce,” he said in the report.


“For instance, some artists, we were not allowed to completely copy what they do in the video.”

He pointed out that Ubisoft had tried to use the iconic dance moves in the original music videos but were “not always allowed to replicate the whole choreography.”  Ryan Arcadio /ra

source: technology.inquirer.net

Sunday

WATCH: Katy Perry hits the road in new ‘Harleys in Hawaii’ video


“Harleys in Hawaii” marks the third single from the pop powerhouse as lead artist this year.

For the occasion, Perry co-wrote the song with fellow chart-topper Charlie Puth as well as Johan Carlsson and Jacob Kasher, all of whom she collaborated with on her recent single “Small Talk.”


The songstress also released the accompanying music video for “Harleys in Hawaii”, which was helmed by Barcelona-based directors collective Manson. The visual shows Perry hitting the roads of Hawaii on a Harley, stopping along the way to drink cocktails and sing karaoke at a tiki bar.

“Let me run my fingers through your salty hair/Go ahead, explore the island vibes/So real that you can feel it in the air/I’m revvin’ up your engine,” she seductively sings in one of her verses.

She ends up meeting a mysterious biker with whom she drives away at the end of the video.

“Harleys in Hawaii” arrived a few weeks after the previously issued singles “Small Talk” and “Never Really Over” — which will likely appear on Perry’s forthcoming new album.

The yet-untitled album will mark the Grammy-winner’s sixth studio effort, following her 2017 “Witness”.

Earlier this month, Perry also announced that she filed an appeal of the July decision that found her and her label liable for $2.78 million (P142 million) to Christian rapper Flame for plagiarizing elements of their 2013 hit-song “Dark Horse” from his 2008 “Joyful Noise”.

As Variety reports, part of the appeal relies on the relative popularity of Flame’s hit, pointing out that “[p]laintiffs did not offer proof of one single digital or brick-and-mortar sale of ‘Joyful Noise’ or [the album] ‘Our World Redeemed’ and admitted that they have no such evidence.” CL/JB

source: entertainment.inquirer.net

BTS writes history with Arab fans at Riyadh concert


RIYADH – For BTS and the 30,000 screaming Arab fans who filled King Fahd International Stadium in Riyadh, Saudi Arabia, on Friday evening, it was a night to remember.

“We’d never thought we would perform here. Thanks to all the people, to all the ARMYs (BTS’ fandom) who made this possible. There is a beautiful full moon up in the sky. Remind of us, remind of tonight,” band leader RM called out to the crowd.
Indeed, BTS’ Saudi Arabian leg of its ongoing “Love Yourself: Speak Yourself” world tour was a new experience for the group.


While BTS is no stranger to stadia, given its past concerts in London’s Wembley Stadium and California’s Rose Bowl Stadium, the K-pop juggernaut’s performance in the ultra-conservative kingdom has been veiled in mystery, with questions about how it might differ from the act’s previous shows.

As expected, the weather was extremely dry and hot. Female fans were mostly shrouded in abaya, a body-covering black dress that Saudi women wear in public, and Azan, the Islamic call to prayer, went on and off around the stadium prior to the event. It was all quite different from your typical buildup to a K-pop concert.

But other things seemed more familiar: some 100 fans greeting the act at the airport, the ear-shattering screams, enthusiastic singalongs and thousands of dazzling ARMY bomb light sticks at the venue, all of which were a sign to how much fans here have waited for the K-pop phenomenon to come.

Signaling the start of the nearly three-hour set was the electrifying first note of party anthem “Dionysus” that blared through the stadium. Fireworks followed, and as two gigantic silver-metallic panthers that had been guarding the stage slowly rose the seven polished men of BTS appeared behind them.

Back from their headline-making five-week vacation, the group’s stage presence was a spectacle. In front of a backdrop of Roman pillars, the singers ruled the stage with nonstop energy, jumping from chair to chair and showcasing their tight performance atop a Last Supper-inspired marble table that moved around the stage.

After ending their lung-busting first song, BTS immediately launched into another pulsating banger, “Not Today,” with the same level of energy.



Moments later, the members finally took a close look at their adoring fans, who responded with such volume that nearly rattled the venue with capacity of almost 70,000.

“Hello, we are BTS. Welcome to BTS World Tour: Love Yourself, Speak Yourself, in Riyadh, Saudi Arabia!” exclaimed RM to the exhilarated crowd. Other members followed suit, with Jimin shouting out, “We’re finally having a stadium tour here,” and Jin belting out, “Unbelievable. Riyadh, can you hear me?”

In an attempt to connect with fans in their mother tongue, V said, “Look at this! BTS and ARMY, we made this. Ahbak (‘I love you’ in Arabic). You made this concert. Thank you ARMYs.”

J-Hope also thanked fans in Arabic for making the event happen.

It was a truly surreal moment. In the lead-up to the concert, BTS’ decision to play in the kingdom had sparked controversies as a result of Saudi Arabia’s poor human rights record, all the more after other international artists faced criticism for performing in the country in recent months.

Women have only been allowed to enter King Fahd Stadium since 2017. And both the band and its fans seemed to weigh on the significance of their long-awaited encounter.

“We know that you always give us so much love and support even we live a thousand miles away. Tonight is the festival for ARMYs for sincerely waiting for us,” said RM.

Smoothly moving onto next song “Wings,” he announced, “Now it’s time to fly around the stadium!”

The rest of the show was an ebb and flow through BTS’ seven-year career. Running at full throttle, the band went onto serve up its quintessential hits like “Boy with Luv,” “Idol,” “Fake Love,” “MIC Drop,” “Dope,” “Baepsae,” and “Fire,” coupled with extravagant light displays, fireworks and explosive energy.

Audience members, regardless of gender or age, staff and even security personnel held up their cellphones to record the act’s head-turning performance, especially during the bombastic “Idol.” The Riyadh show also featured some slight modifications in consideration of local sentiment, such as “non-revealing outfits and the absence of choreographies that show the singers’ abdominal muscles,” according to an official from BTS’ agency Big Hit Entertainment.

Highlights included solo performances from each member. J-Hope rapped to “Just Dance” and Jungkook crooned while harnessed onto a zipline.

Jimin emerged from a plastic bubble-cocoon during his sensual “Serendipity,” RM boasted his leadership by making the crowd chant “sarang,” the Korean word for love, for his rap solo “Love,” while V’s mesmerizing “Singularity” began with the singer rising up from a suspended bed while wearing a wine-colored robe. Suga softened fans’ hearts with his mellow rap in “Seesaw,” while Jin did the remaining job of melting them with his emotional “Epiphany.”

The event also had a birthday surprise for Jimin, during which the members celebrated their bandmate’s birthday by singing a birthday song in Arabic.


“I had forgotten it was my birthday. Thank you for the wishes, and I’m so glad that I could celebrate with the fans and the members,” Jimin replied, jumping around the stage with joy.

As the show came to its close, the boys reunited on the stage to share their feelings. V went first.

“So many fans are here. I can’t believe that we could have filled this stadium. I hope to come back here again. I’ll go back home with happiness thanks to you guys. See you next time,” he said.

Suga picked up from him and said, “It’s our first time here in Saudi, and I was very surprised by how much you guys have enjoyed our show. Shall we come back again, like seriously?”

“As we’ve worked hard, we could have finally come to Saudi,” Jungkook added. “Tonight was a blast thanks to ARMYs. I hope you guys also felt happiness from this show. Please keep supporting and loving us.”

Jin drew out laughter by kindly yet jokingly requesting the event’s translator to “include their emotions to the translation,” and Jimin, with his eyes twinkling with potential tears, said, “Every moment has been a happiness. Today, we’ve once again realized that there are so many people who support us in this world. We won‘t forget to work harder to reciprocate. With all my heart, love you.”

J-Hope took his turn: “I missed this scream, this atmosphere. We’ve been very nervous, but also very happy to have finally met you in a long time. I’m your amal (‘hope’ in Arabic). Shukran!”

At RM’s orchestration, the venue lit up with a beautiful wave of cellphone lights. BTS wrapped up a memorable night with encore tracks “So What,” “Make it Right” and “Mikrokosmos.”



There were no more mysteries left. The night with BTS was awe-inspiring and the fans overflowed with love. Overall, it was a testament to BTS’ perpetual global popularity that has already dominated one of the most conservative countries in the world.

“What is important here is that the universal charm and message of BTS’ music have been constantly accepted by, and speaking to a completely different Islamic culture. There have been some K-pop events held in Islamic regions in the past, but I think the heat and attention on BTS’ Riyadh show are something very unique,” culture critic and the author of book “BTS — The Review: A Comprehensive Look at the Music of BTS” Kim Young-dae told The Korea Herald.


“Through this concert, BTS’ music and message will be able to deliver some positive messages to Islamic countries. I think the show has a historic meaning in that beyond its successful result, it has the possibility to serve as a momentum for the continuous BTS phenomenon. Furthermore, it might provoke further global interest in K-pop and its culture, providing opportunities for other groups.”

BTS is set to wrap up its world tour with concerts in Seoul from Oct. 26-29.

source: entertainment.inquirer.net

Thursday

Why Taylor’s new video made ‘Queer Eye’s’ Antoni ‘freak out’


Model-TV personality Antoni Porowski almost appeared in a music video for pop star Taylor Swift’s “Blank Space” in 2014, as the boyfriend bedeviled by the singer’s obsessed character.

“I auditioned for that when I was a waiter and got called back twice,” Porowski recently told Entertainment Tonight. “In the audition, I had to pretend that I was running away from a lion on a green screen.”

But the part went to someone else, the “Queer Eye” host recounted: “Sean O’Pry did a fantastic job. And so now I feel like [a] ‘phoenix rising’ … I got to actually be in one.”

Porowski, along with his “Queer Eye” cohosts, were among the celebrities included in Swift’s recently released “You Need to Calm Down” video.

“She’s very much in control of her own creative process,” said the openly gay 35-year-old, who is also a chef and actor. “While she is very collaborative, it’s very much a vision that she has.”

Appearing in the video was “so much fun,” he said, recalling that he witnessed Swift’s hands-on approach. “It’s so admirable. Men can learn from strong women in media and pop culture. I think it’s freaking dope. I respect her tremendously.”


When the video—which also has cameos from Ellen DeGeneres, Adam Lambert, Jesse Tyler Ferguson, Katy Perry and Ryan Reynolds—was finally unveiled, Porowski was ecstatic.

“I freaked out! I thought it was so cool,” he said. “Just to see all these wonderful LGBTQIA+ personalities and allies [together] … she doesn’t have to do that. I really respect that.” —OLIVER PULUMBARIT

source: entertainment.inquirer.net