Showing posts with label Spotify. Show all posts
Showing posts with label Spotify. Show all posts

Wednesday

Lebron James, Spotify, HBO among 2020 Webby Award winners


Jimmy Fallon, Spotify and HBO are among the 2020 Webby Award winners for internet excellence.

The International Academy of Digital Arts and Sciences announced the winners Tuesday.

Fallon’s “The Tonight Show Starring Jimmy Fallon” won a Webby for best social media for promoting a celebrity, while James was honored for his ESPN’s “Welcome to Bron Bron Land,” which took home the best user interface award.

This year’s Webby From Home is dedicated to honoring individuals and organizations who are using the internet in response to the coronavirus pandemic.

Kristen Bell won for helping children understand the pandemic, while DJ D-Nice won artist of the year for his #ClubQuarantine sets on Instagram Live. Avi Schiffmann, a 17-year-old from Washington state, was honored for launching an early COVID-19 tracking database and site. John Krasinksi was also honored for his “Some Good News” show, which was created to uplift spirits after the pandemic.

Google and National Geographic won the most awards with 14 each. NASA came away with the best overall social presence.

Lil Nas X’s “Panini” won a Webby for people’s voice award for best art direction. Spotify scored an award for best use of online media, while HBO claimed best branded editorial experience.

Tom Hanks’ “#NiceTweets with Tom Hanks” won a people’s voice award for arts and entertainment.

Patton Oswalt will host the 24th annual Webby Awards’ beginning at 3 p.m. EDT.

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This story has been corrected to show Fallon’s win was for social, not website, and that the celebration is called Webby from Home, not Webby Home Internet Celebration.

Associated Press

Tuesday

Spotify aims to strike chord in stock market debut


Spotify on Tuesday debuts as a publicly traded company, hoping that its streaming music model will be a hit with investors and a boon to artists.

In an unusual move, Spotify will list existing shares directly on the New York Stock Exchange rather than issuing new stock, allowing its founders and investors to maintain control and avoiding the cost of hiring Wall Street underwriters.

“Spotify is not raising capital, and our shareholders and employees have been free to buy and sell our stock for years,” 35-year-old chief executive and co-founder Daniel Ek said in a blog post Monday ahead of the listing of “SPOT” shares.

Ek said the move “puts us on a bigger stage,” but “doesn’t change who we are, what we are about, or how we operate.”

The Swedish platform which has helped make streaming the most popular way to listen to music in parts of the world estimated the company’s value to be as much as $23.4 billion.

Spotify said in a regulatory filing that it had 159 million monthly users including 71 million paying subscribers — twice that of closest rival Apple Music, which the iPhone maker launched in 2015 to win a slice of the growing streaming market.

Spotify warned last week that its sales growth was likely to slow this year, but that it still expected to post a narrower annual loss.

Spotify, which has not posted a profit since the service launched in 2008, said unfavorable exchange rates were the main reason for the growth slowdown.

The company also said it aimed to boost its subscriber numbers by 30 to 36 percent this year.

Cool and sticky

“Spotify is a ‘cool’ brand,” said eMarketer principal analyst Paul Verna.


“Teenagers especially love Spotify. This bodes well for continued brand loyalty, which is a big factor in the stickiness of music services.”

Users of streaming music services don’t like to rebuild playlists or profiles, making it likely they will stick with Spotify if given good value, according to the analyst.

While pressure is on to pay higher royalties to music creators, Spotify has made inroads with artists. Taylor Swift released a new “Delicate” music video on Spotify last month. The singer caused a stir in 2014 by pulling her music from the service over fees, but returned to the platform three years later.

Music sales soared anew last year in the United States backed by the rise of streaming, bringing revenue to a level last seen a decade ago.

“Spotify has been the driving force in nothing less than a turnaround in the US recorded music industry,” Verna said.

Spotify’s model of letting people stream songs on demand is proving more popular than paid downloads, curated playlists, or internet radio broadcasting, according to the analyst.

The Recording Industry Association of America said that revenue grew a robust 16.5 percent in 2017, marking the first time since 1999 at the dawn of online music that the business has expanded for two years in a row.

The growth was almost entirely attributable to the public’s embrace of streaming, with subscriptions to paid platforms such as Spotify, Apple Music, Tidal and the new service of retail giant Amazon growing 56 percent to 35.3 million users.

Streaming has been transforming the music business in much of the world, although artists frequently complain that they see little of the industry’s newfound bounty.

Timing trouble?

In 2006, Ek and co-founder Martin Lorentzon, who rode the internet boom to riches, came up with the idea of creating a legal platform to distribute music online, which at the time was dominated by illegal file sharing sites.

They experimented with sharing music files between the hard drives on their computers.

In October 2008 Spotify was finally ready to go live after Ek pleaded with music labels to open their catalogs.

Wall Street could go far in securing the Swedish startup’s status as a success story if the listing goes well.

But, the timing could hurt Spotify since tech stocks overall are being dragged down by worries about \privacy and Facebook’s handling of people’s data.

“Spotify will be lumped in with other tech stocks, which have been battered lately because of Facebook’s data privacy issues,” Verna said.

“One could argue that this is unfair to Spotify, but they’re going to have to get used to market volatility and getting dragged down (or pushed up) by other companies in their general space.”

In perhaps a poetic turn, Facebook has been credited with playing into Spotify’s success.

In 2009, Spotify won the public backing of Facebook co-founder and chief Mark Zuckerberg, who posted: “Spotify is so good.”

In 2011, when Spotify launched service started in the United States, it allied with Facebook, quickly garnering one million paying users. MKH

source: technology.inquirer.net

Wednesday

Spotify reaches ‘100 million users’ milestone


Music streaming service Spotify has confirmed that its monthly active user base has sailed past the 100 million mark for the first time.

A report by Business Insider said the Swedish app’s user base has pushed into new markets and attained an outstanding statistical growth from 75 million to 100 million, despite facing stiff competition from the likes of Apple Music.

In a statement on Monday (Tuesday in Manila), Spotify officials said they were adding some 1.8 million users to their service every month and that 30% of these were paying subscribers.

Overall, the service now boasts over 30 million new subscribers, while the remaining 70 million users still tune into their free subscription.

Apart from the recent surge in user popularity, the company has also overtaken fellow European startup Skype as the continent’s most promising and highly valued application.

Regardless of its newfound success, the company is reportedly still not making much profit, as evidenced by a 10-percent revenue drop in 2015.

These losses can be chiefly attributed to the payments it makes to music labels, artists and music rights holders, the report said.

Spotify has the music-streaming industry’s biggest paid subscriber base,  but the vast majority still tune in free with commercial breaks.

The company, which was founded in 2006, is still paying 80 percent of its revenue and has not yet shown a profit as it spends to grow internationally. Khristian Ibarrola

source: technology.inquirer.net

Friday

Spotify reaches royalty deal with music publishers


NEW YORK—Spotify, the leader in the booming streaming industry, on Thursday reached a settlement to improve royalty payments to US music publishers as the company hopes to avoid potentially costly lawsuits.

The National Music Publishers’ Association, which advocates on behalf of the US houses that hold songwriters’ copyright, announced the deal which relates to songs whose authors have been difficult to identify.

Amid the rapid growth of streaming, which allows unlimited on-demand music, Spotify has faced charges that it paid little attention to ensuring proper payment of royalties, which go both to performers and the often more anonymous songwriters.

Although songwriter credit on modern commercial music is easily obtained, the details are often missing or incorrect on the digital files for obscure or older songs.

Under the agreement, the Swedish company said it would put forward to publishers a pool of money it has stored for previous unmatched royalties and add to it a “large bonus compensation fund.”

A joint statement did not specify the amount. A person familiar with the deal said on condition of anonymity that Spotify’s existing pool was $16 million and that it was adding another $5 million.

Spotify and the music publishers committed to building a database to match streamed songs to their writers more consistently.

“As we have said many times, we have always been committed to paying songwriters and publishers every penny,” Spotify spokesman Jonathan Prince said in the statement.

David Israelite, the president of the publishers’ association, pledged to keep pushing “digital services to properly pay for the musical works that fuel their businesses.

“After much work together, we have found a way for Spotify to quickly get royalties to the right people,” he said.

Major lawsuits loom

David Lowery, best known for leading the alternative rock bands Cracker and Camper Van Beethoven, filed a $150 million lawsuit in December alleging that Spotify has systematically infringed on copyright in its rush to upload a vast music library.

He wants a US judge to declare a class action lawsuit in which all aggrieved artists could claim royalties from Spotify.

Lowery’s lawyer Mona Hanna criticized Thursday’s agreement as an attempt by Spotify to limit its liability “in secret, without court oversight” and questioned the deal’s enforceability.

“Thousands of songwriters have been harmed by Spotify, and a class action is the best way to protect their songs and their livelihood,” said Hanna, a managing partner at firm Michelman & Robinson.

Songwriter Melissa Ferrick in January also filed a $200 million class action lawsuit against Spotify on slightly different legal grounds.

Individual publishers, which range from major players to small artist-run imprints, will have to choose whether to enter the deal or back one of the lawsuits.

Under the agreement, Spotify will send a royalty check for all songs it cannot match back to the group of publishers — but only those that take part in the deal.

The joint statement did not specify how the money would be divided among the publishers.

Spotify will keep paying normal royalties to publishers regardless of whether they agree to the settlement.

The private company, which is estimated to be worth more than $8 billion, says it has paid back more than $3 billion in royalties since its launch in 2008.

Critics, notably pop superstar Taylor Swift, disapprove of Spotify’s advertising-backed free tier through which three-quarters of its more than 75 million users listen without paying.

Spotify and the publishers’ group voiced confidence that the deal would benefit the entire industry as identification problems are not unique to Spotify.

source: entertainment.inquirer.net

Thursday

Beatles end streaming boycott in time for Christmas


The Beatles, the top-selling band in musical history yet a persistent holdout on new technology, announced Wednesday they would end a boycott of streaming in time for Christmas.

The Fab Four's full catalog will be available on all major services including leader Spotify, removing the most glaring musical absence from the booming sector of streaming that allows unlimited on-demand music online.

The website of The Beatles -- who have sold some 600 million albums worldwide -- announced the move in a short video that featured a medley of the band's hits including "Let It Be," "Hey Jude" and "Help!"

"Happy Crimble, with love from us to you," said a statement, employing a slang term for Christmas used by The Beatles.

The Beatles catalog will start streaming at 12:01 am on Christmas Eve local time in each region of the world.

Ringo Starr, one of two surviving Beatles along with Paul McCartney, mentioned the streaming news on Twitter with a slew of  emojis, a means of expression more in line with a younger generation.

"We are coming to you from out of the blue," Starr wrote, adding, "Peace and love peace love."

- Also resisted iTunes -The Beatles were the top-selling and one of the most critically acclaimed groups of all time, releasing 13 studio albums including classics such as "Sgt. Pepper's Lonely Hearts Club Band," "Abbey Road" and "Revolver" before breaking up in 1970.

Despite The Beatles' phenomenal success, the band has repeatedly taken a slow approach to new technology.

The streaming announcement came just five years after the Liverpool-born group's back catalog was first made available for purchase on Apple's iTunes.

The announcement means that fans will be able to listen to the band's songs on nine services -- Spotify, Apple Music, Slacker, Tidal, Groove, Rhapsody, Deezer, Google Play and Amazon Prime.

The Beatles already appear on Internet radio provider Pandora and satellite radio service Sirius XM which have different regulations.

The band's recordings are controlled by its own management company, Apple Corps, and music conglomerate Universal which took over the catalog from defunct label EMI.

- Few other streaming holdouts -The move is a major win for streaming companies, which have faced criticism from a string of artists over the amount of money they make.

Taylor Swift removed her whole back catalog from Spotify last year but agreed to put her blockbuster album "1989" on Apple Music when it launched in June.

Adele, however, is not streaming on any service her new album "25" which nonetheless is the fastest-selling record in the United States and Britain since tracking services started keeping statistics.

The British singer, in a recent interview with Time magazine, said she did not use streaming herself and considered it "a bit disposable."

Several other classic artists who initially resisted streaming have recently relented including Led Zeppelin and AC/DC.

Big names who maintain full or partial boycotts of streaming sites include folk rockers Neil Young and Bob Seger, Radiohead's experimental frontman Thom Yorke and country star Garth Brooks.

Since reports first emerged on The Beatles' streaming decision, the industry has speculated whether the Fab Four would reach a deal with only one service or, as the band ultimately decided, all of them.

Swift has released a film of her latest tour exclusively on Apple Music while Tidal, led by rap mogul Jay Z, has heavily promoted unique content including the full catalogue of Prince.

Tidal and Rhapsody both said that they planned interactive features to go along with The Beatles' music.

Streaming has opened up a new source of revenue to a long-stagnant music industry, but critics say it is not enough to offset declining CD sales.

Revenue from streaming has overtaken that from downloads in 37 countries around the world, according to the IFPI recording industry body, with subscription revenues worth 23 percent of the overall digital market. —Agence France-Presse

source: gmanetwork.com

Tuesday

Adele’s ‘25’ reigns for 3rd week on Billboard chart, Coldplay at No.2


NEW YORK - Adele's record-breaking new album "25" sold another 728,000 copies last week, easily trumping Coldplay's new release, "A Head Full of Dreams," to retain the top spot on the Billboard 200 album charts for a third week.

Coldplay, which like Adele initially held back its album from streaming service Spotify and other free platforms, sold some 209,000 copies in its debut week, according to data from Nielsen Music on Monday.

The British rock band, which is to play the coveted halftime show at the 2016 Super Bowl in February, said last week it would stream "A Head Full of Dreams" on Spotify in its second week of release.

Adele's "25," already the biggest selling album in the US for 2015, has sold some 5.19 million copies since its Nov. 20 release.

The singer on Monday announced her first North American tour in five years. She will play 56 dates starting in July in St. Paul, Minnesota and end on Nov. 15 in Mexico City. Her UK and European tour is already sold out.

The strong showing by Adele and Coldplay pushed Justin Bieber's "Purpose" into 3rd place on the Billboard 200, with about 150,000 copies sold for the week. A cappella group Pentatonix slipped to 4th place with "That's Christmas To Me."

The Billboard 200 chart tallies units from album sales, song sales (10 songs equal one album) and streaming activity (1,500 streams equal one album).

New entries by rappers G-Eazy ("When It's Dark Out") and Rick Ross ("Black Market") landed at No. 5 and 6, respectively. South African-born Australian actor and singer Troye Sivan, 20, took 7th place with his album "Blue Neighborhood."

On the Digital Songs chart, which measures online download sales, Adele's single "Hello" was ousted from the No.1 spot by Jordan Smith, a finalist on TV competition show "The Voice," whose rendition of the Queen classic "Somebody to Love" sold more than 164,000 copies compared with 158,000 for "Hello." —Reuters

Friday

Top Grammy contenders find grassroots strength in streaming


LOS ANGELES - The old-fashioned radio still reigns as consumers' top source for finding new music, but at Sunday's Grammy Awards, online streaming might show itself to be the fast track to industry recognition.

With the likes of record-of-the-year nominees Iggy Azalea and Meghan Trainor breaking out on YouTube and streaming services such as Spotify, this year's Grammys could be a celebration for one of music's few growing segments.

Among the nominees for this year's top awards - song, record and album of the year - only British soul singer Sam Smith and R&B artist Pharrell Williams had a hit that placed among the top 10 radio songs in total plays in 2014, according to Nielsen Music.

"I don't think anyone who is voting thinks that the Grammys happen in a world where streaming doesn't exist," said William Gruger, the social/streaming chart manager at Billboard.

The online success of Azalea's rap hit "Fancy" with singer Charli XCX and Trainor's ode to full-figured women "All About that Bass" underscore the power that streaming - and its young-skewing consumers - have in elevating a song's profile at the grassroots.

Such is the promise of streaming that Apple Inc bought headphone maker Beats for $3 billion last year, in part for its curated music service.

Grammy voters, however, are supposed to cast their ballots only on artistic merit, said Neil Portnow, the president of the National Academy of Recording Arts and Sciences, which hands out the awards.

"The fact that music is available to consumers via streaming and via download or via traditional product, that doesn't have anything to do with the awards process itself," Portnow said. "There isn't anything about streaming that relates directly to how those awards are given."

STREAMING DIVIDES INDUSTRY

But falling album sales and digital song downloads have elevated streaming's prominence within the industry. In December, Billboard and data compiler Nielsen Music revamped the weekly album chart to include online streaming.

Services such as Spotify, Beats and Google's YouTube helped propel on-demand music streams to 55 percent growth in 2014.

"The industry is paying more attention to it especially when Billboard is changing their charts," said Lyndsey Parker, editor of Yahoo Music.

Azalea's "Fancy" was the top song on Spotify in 2014 while its video racked up 440 million views on YouTube in under a year.

"'Fancy' blew up because people were streaming that song like crazy ... it's good for discovery and elevating the profiles of new artists," Parker added.

Trainor's "Bass" has been streamed 569 million times on YouTube. By contrast, John Legend's "All of Me" was last year's top radio song with 816,000 plays.

But streaming still faces an uphill climb among the industry's establishment, which is unhappy with the way and amount of money services such as Spotify compensate for the art.

Megastar Taylor Swift, a song and record of the year nominee, notably pulled all her music from Spotify and streaming sites in November prior to the release of top-selling album "1989."

Spotify, which boasts 60 million active users, says about 70 percent of its revenue goes to record labels and publishers, which then have their own separate agreements with artists.

"If a streaming service bases its business on the music that it plays, one would think there has to be a way where the people who write, perform and own that music can be fairly compensated for the work they do," Portnow said.

"I don't think we are there yet," he added, "and I think there is a long way to go."  — Reuters