Showing posts with label Christian Dior. Show all posts
Showing posts with label Christian Dior. Show all posts
Saturday
Raf Simons pays homage to America in Calvin Klein debut
NEW YORK—Raf Simons, considered one of the finest designers of his generation, made his debut for Calvin Klein on Friday, offering a tribute to America in one of the most eagerly awaited New York shows in years.
A-listers Gwyneth Paltrow, Julianne Moore and Sarah Jessica Parker, former Calvin Klein model Brooke Shields and current model Millie Bobby Brown, the 12-year-old star of Netflix hit “Stranger Things,” were the guests of honor.
Other guests were film director Sofia Coppola and Vogue editor-in-chief Anna Wintour at the label’s Garment District headquarters, which reportedly archives every Calvin Klein item ever designed.
The 49-year-old Belgian former creative director for Christian Dior sent out men’s and women’s wear in what the program called an homage to America, a contrast of sports chic and double-breasted suiting.
Simons, whose career has straddled Europe and America, offered an outsider’s take on the diversity that makes up the contemporary United States as part of his mission to revive the iconic New York label best known for its racy underwear ads decades ago.
There was sharp suiting, denim, bat-wing style shoes for women, cowboy boots, plastic coated outerwear and dresses finished with feathers, an array of workwear, western wear and handcrafted quilting.
From the look that shouted modern urban, to the white bandanas sent to guests to promote diversity and the closing track — David Bowie’s “This Is Not America” — it was hard not to see shade being thrown at President Donald Trump and his administration’s assault on immigration.
Past and future
“All these different people with different styles and dress codes. It’s the future, the past, Art Deco, the city, the American West,” wrote Simons in the program notes.
“Not one era, not one thing, not one look. It is the coming together of different characters and different individuals, just like America itself. It is the unique beauty and emotion of America.”
Simons emerged at the end with Pieter Mulier, his long-term colleague and former right-hand man at Dior, before being mobbed backstage by well-wishers.
From the ceiling hung distressed fabrics and balls of wool, in a set designed by Ruby, who was born to a Dutch mother and American father, and whose work features in museums such as the Tate Modern.
Ruby has cited, among his influences, hip-hop, urban gangs, graffiti, prisons, globalization, violence, art history, as well as “American domination and decline.”
Calvin Klein last year put Simons in charge of the entire brand’s creative strategy, uniting all its clothing, underwear and jeans under one vision as it seeks to grow to $10 billion in global retail sales.
Simons, who also runs his eponymous label, was previously best known for breathing life into Dior after John Galliano was fired in 2012 following an outcry over anti-Semitic insults he made in a Paris bar.
“Not since Mr Klein himself was at the company has it been led by one creative visionary, and I am confident that this decision will drive the Calvin Klein brand and have a significant impact,” said CEO Steve Shiffman at the time.
Changing of guard
“I really liked it,” Imran Amed, founder of the London-based Business of Fashion website, told Agence France-Presse after the show.
“It’s quite a departure. When you change creative directors, part of the reason you do that is to get a new energy, a new direction, and I think they very successfully achieved that,” he added.
“That he dared to try to live up to the founder’s legacy and say something bigger and more visceral with his clothes — could make all the difference,” wrote New York Times fashion critic Vanessa Friedman.
Here are other highlights of fashion week day two:
— Oday Shankar, a red carpet designer with Iraqi roots, presented typically elegant evening wear in an personal show that he said was inspired by overcoming difficulties in life and “creating something beautiful.”
There were his trademark billowing, two-tone gowns and pleated skirts, and sequined tweed that glittered and hugged the figure.
— Retailer Kate Spade invited guests to sip mimosas and nibble blinis with caviar at The Russian Tea Room in tribute to 1920s Paris and “heroines who defy expectations.”
Models sashayed on a leopard print platform to the sound of a waltz. It was a very feminine collection with lots of red and poppies, with a stand-out purse in the shape of a chocolate cake with cherries on top.
source: lifestyle.inquirer.net
Monday
Dior Homme celebrates updated classics at Paris fashion
PARIS - Dior Homme designer Kris Van Assche on Saturday celebrated the updated classic at Paris fashion while Korea's Songzio jazzed up cool, summer looks with metallic print and big pockets.
On day four of men's fashion, Van Assche said he delved into Christian Dior's world for a collection in which the "bourgeois meets the artist."
"I wanted a sense of renewal and an idea of Christian Dior's artistic milieu to come through as well as his love of formality and tradition," he said.
The result was formal, navy suits with an emphasis on the tuxedo and traditional pinstripe.
Nautical touches, a reference to the Normandy-born Dior's love of the sea, came in the form of toggle fasteners and striped knit vests over shirts to create what Van Assche called "a new form of three piece suit."
The Belgian designer said he was also influenced by a letter dating from the 1950s he found in the Dior archives.
In the letter, Dior, who founded the Christian Dior fashion house in 1946, wrote about the importance of maintaining traditions.
"Traditions have to be maintained so they can be passed on to future generations," he wrote.
"In troubled times like ours we must maintain these traditions which are our luxury and the flower of our civilization," he added.
Van Assche turned the handwritten letter into a print which he used throughout the collection.
Chanel designer Karl Lagerfeld described the clothes as "very modern classic, updated classic."
"Classic—if it is only classic—becomes boring. You need to freshen it with modernity," he told reporters after the show.
US actor Ansel Elgort and Asian actor and boy band star Vic Chou were also among those on the front row at the show.
Elsewhere on Saturday, South Korean designer Songzio took the "configuration and shape of wood" as the inspiration for his latest collection.
The designer sent out oversized coats, boxy shirts, and wide, pleated shorts.
Standout looks included a knit tunic ensemble and sleeveless, transparent shirt with gold-coloured metallic print.
Big pockets popped up on the front of shirts and the back of shorts.
As well as his signature palette of dark navy and tones of black, there was also white and cream, vivid orange and midnight blue.
Songzio picked up the gold in black leather sandals while other footwear had big straps high over the ankle. — AFP
source: gmanetwork.com
Labels:
Beauty,
Christian Dior,
Clothing,
Fashion,
Kris Van Assche,
Lifestyle,
Paris Fashion Week
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