Monday
‘Gossip Girl’ star Leighton Meester arrives for fashion show
“Gossip Girl” star Leighton Meester is in Manila for a series of promotional activities for a local clothing line.
The 26-year-old American singer-actress arrived from Japan on board All Nippon Airways flight NH949 at 9:30 Friday night at the Ninoy Aquino International Airport terminal 3.
Wearing casual clothes and no makeup, Meester did not face the media as close-in security prevented reporters and cameramen from approaching her.
Dozens of fans also failed to meet her after waiting for her at NAIA terminal 1. They had received a tip that she was arriving from Narita on another flight.
Meester, who plays the privileged Manhattan socialite and fashion plate Blair Waldorf in the hit teen drama series “Gossip Girl”, is in the country to endorse the fashion retail brand Penshoppe.
She is the latest international celebrity and the second “Gossip Girl” star signed up by Penshoppe to its All-Stars roster, which includes Zac Efron, Ed Westwick, Mario Maurer, and “Vampire Diaries” star Ian Somerhalder, who arrived on May 19.
Meester is scheduled to do a photo shoot, hold a press conference, and grace the Penshoppe All-Stars show for the Philippine Fashion Week on Saturday at the SMX Convention Center.
source: interaksyon.com
Sunday
Joey de Leon, inihayag na wala siyang planong pasukin ang pulitika
Habang nakabitin ang usap-usapan sa planong pagpasok sa pulitika ni Vic Sotto sa 2013 elections, inihayag naman ng kanyang kaibigan na si Joey de Leon na wala itong balak na kumandidato sa anumang posisyon sa gobyerno.
Kamakailan ay inamin ni Sen Tito Sotto na napag-uusapan ang posibleng pagpasok na rin ng kanyang kapatid at kapwa host sa Eat Bulaga na si “Bossing" Vic, sa pulitika sa darating na halalan.
Pagiging alkalde ng Quezon City ang sinasabing posibleng takbuhan ni Vic kunsaan maaari niyang makalaban ang kapwa artista na si Herbert Bautista, na kasalukuyang alkalde ng lungsod.
Sakabila ng mga balitang ito, wala pang malinaw na pahayag na galing mismo kay Vic kung tatakbo nga siya sa eleksiyon.
Sa ulat ni Glen Sibonga na lumabas sa Philippine Entertainment Portal (PEP.ph), sinabi ni Joey, host din sa Eat Bulaga, na narinig na niya ang balitang pagpalaot sa pulitika ng kanyang kaibigang si Vic.
Pero siya man daw ay walang naririnig na mismong galing kay Vic kung tatakbo nga ito sa halalan.
“Narinig ko na iyan. Well, isa ako sa dapat makaalam niyan kung totoo siyempre. Wala akong naririnig kay Vic. Baka manunurpresa siya. Nababalitaan ko nga iyan," pahayag ni Joey sa lumabas na ulat sa PEP.
Ngunit tiniyak ni Joey na suportado niya kung sakaling magdesisyon si Vic na pasukin ang pulitika.
Nang tanungin si Joey kung siya man ay may planong pasukin ang pulitika, tugon ng tinaguriang entertainment guru ng Philippine showbiz: “Wala, ang hirap, e. Paano ka lalayas ]mag-abroad]? Ang hilig kong lumayas, e. 'Pag pumasok ka sa pulitika, hindi mo na magagawa lahat iyan. Kasi mag-iiba ang priorities mo. Hindi talaga ako for politics." – FRJ, GMA News
source: gmanetwork.com
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Robert Pattinson Denies Involvement in 'Hunger Games' Sequel
Robert Pattinson has put a stop in the rumor that he has been cast in the sequel of "The Hunger Games". During his appearance to promote "Cosmopolis" at the Cannes Film Festival on Saturday, May 26, the actor confirmed that he was not even offered a part.
The rumor, sparked by Think McFly Think, said producers want Pattinson to play Finnick Odair in "The Hunger Games: Catching Fire". When asked about it, Lionsgate said, "As with the first film, we won't be confirming, denying on any casting rumors for this title."
Pattinson came out with the truth, telling USA Today, "I woke up this morning and saw all these things about me being cast in The Hunger Games. I was kind of curious for a second. So I called my agent. My agent was like, 'No'." He added with a laugh that his agent told him, "No one's going to offer you that part. I was like, 'Thanks for the reassurance'."
Finnick Odair is described as being very handsome and tall with tan skin, bronze hair, and stunning sea-green eyes, making him very popular with people in the Capitol. He represents District 4 at the 75th annual Hunger Games.
article source: http://www.aceshowbiz.com
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Wednesday
NEW YORK (AP) — Actor Michael McKean, who portrayed the lead singer in the movie "This is Spinal Tap," was injured when he was struck by a car in New York City.
A McKean spokeswoman, Harriet Sternberg, says the actor suffered a broken leg.
Emergency officials say McKean was struck at West 86th Street and Broadway in Manhattan just before 3 p.m. Tuesday. McKean was taken to St. Luke's hospital. Police say he was in stable condition. They had no further details.
McKean also played Lenny on the hit television show "Laverne & Shirley." He's currently starring in the Broadway production of Gore Vidal's political drama, "Best Man."
Tuesday
Cannes film festival abuzz as dark tales shine
CANNES, France - The Cannes film festival is buzzing this year with a string of hit movies in the official lineup, a procession of stars on the red carpet and plenty of eagerly awaited titles still to come.
The unseasonably cold, wet weather has done little to dampen spirits among the famously picky critics and journalists on the French Riviera to interview, photograph and film everyone from A-list celebrities to obscure auteur directors.
While the distractions for the 4,000-strong media presence seem endless amid stunts, parties and big movie deals, the backbone of the festival remains the main competition, this year comprising 22 movies with a strong U.S. presence.
But it is two European film makers, both previous winners of the coveted Palme d'Or for best picture, who have set the pace as Cannes hit its halfway point on Monday.
Austrian Michael Haneke, who won in 2009 with "The White Ribbon" and wowed audiences four years earlier with "Hidden", has done it again this year with "Love" ("Amour"), a sombre, French-language drama about an elderly couple facing death.
While Cannes thrives on Hollywood hype and celebrity, it also has a reputation for showcasing serious, hard-hitting dramas made by respected directors for little money.
Once they wiped away the tears, critics gave Love a five-star reception for its unflinching portrayal of a woman's illness and death, and how she and her devoted husband cope with the final weeks.
"Masterpiece"
Jonathan Romney of Screen International called it a "masterpiece" and many Cannes veterans have made it the movie to beat at this year's festival.
"Amour is surely now early favourite for the Palme d'Or," wrote Donald Clarke of the Irish Times. "If we were previously in any doubt, Haneke is confirmed as the premiere European director of his generation."
Its two stars, both in their 80s, have also basked in glory for moving portrayals of old age, the ravages of illness and facing one's mortality.
Romanian director Cristian Mungiu's "Beyond the Hills", another popular entry this year, is a disturbing tale based on a true story of a young woman staying at a remote monastery whose violent fits are interpreted as signs of the devil.
An exorcism is performed, but the well-meaning priest is in danger of doing more harm than good in Mungiu's examination of the clash between the religious and secular and between earthly and spiritual love.
His "4 Months, 3 Weeks and 2 Days" scooped the Palme d'Or in 2007, and an informal poll of critics published at the festival puts him neck-and-neck with Haneke at the head of the field.
French director Jacques Audiard's "Rust and Bone", starring Marion Cotillard as a Marineland worker who loses her legs in an accident, packed an emotional punch that resonated with many, though not all, viewers.
Danish child abuse drama "The Hunt", from Thomas Vinterberg and starring the impressive Mads Mikkelsen as a man wrongly accused and ostracized, is also seen as a contender.
Wes Anderson's opening comedy "Moonrise Kingdom" starring Bruce Willis, Bill Murray and two young stars, was an upbeat start to this year's festival, although it may be too light-hearted to win over the Cannes jury.
The violent prohibition-era movie "Lawless", featuring Shia LaBeouf, Tom Hardy and Jessica Chastain, fell slightly flat in the eyes of many critics.
Willis, Murray, Hardy, Chastain and Sean Penn have all walked the red carpet so far, and still expected in Cannes are Brad Pitt, Nicole Kidman, Robert Pattinson, Kristen Stewart and Kanye West. — Reuters
source: gmanetwork.com
The unseasonably cold, wet weather has done little to dampen spirits among the famously picky critics and journalists on the French Riviera to interview, photograph and film everyone from A-list celebrities to obscure auteur directors.
While the distractions for the 4,000-strong media presence seem endless amid stunts, parties and big movie deals, the backbone of the festival remains the main competition, this year comprising 22 movies with a strong U.S. presence.
But it is two European film makers, both previous winners of the coveted Palme d'Or for best picture, who have set the pace as Cannes hit its halfway point on Monday.
Austrian Michael Haneke, who won in 2009 with "The White Ribbon" and wowed audiences four years earlier with "Hidden", has done it again this year with "Love" ("Amour"), a sombre, French-language drama about an elderly couple facing death.
While Cannes thrives on Hollywood hype and celebrity, it also has a reputation for showcasing serious, hard-hitting dramas made by respected directors for little money.
Once they wiped away the tears, critics gave Love a five-star reception for its unflinching portrayal of a woman's illness and death, and how she and her devoted husband cope with the final weeks.
"Masterpiece"
Jonathan Romney of Screen International called it a "masterpiece" and many Cannes veterans have made it the movie to beat at this year's festival.
"Amour is surely now early favourite for the Palme d'Or," wrote Donald Clarke of the Irish Times. "If we were previously in any doubt, Haneke is confirmed as the premiere European director of his generation."
Its two stars, both in their 80s, have also basked in glory for moving portrayals of old age, the ravages of illness and facing one's mortality.
Romanian director Cristian Mungiu's "Beyond the Hills", another popular entry this year, is a disturbing tale based on a true story of a young woman staying at a remote monastery whose violent fits are interpreted as signs of the devil.
An exorcism is performed, but the well-meaning priest is in danger of doing more harm than good in Mungiu's examination of the clash between the religious and secular and between earthly and spiritual love.
His "4 Months, 3 Weeks and 2 Days" scooped the Palme d'Or in 2007, and an informal poll of critics published at the festival puts him neck-and-neck with Haneke at the head of the field.
French director Jacques Audiard's "Rust and Bone", starring Marion Cotillard as a Marineland worker who loses her legs in an accident, packed an emotional punch that resonated with many, though not all, viewers.
Danish child abuse drama "The Hunt", from Thomas Vinterberg and starring the impressive Mads Mikkelsen as a man wrongly accused and ostracized, is also seen as a contender.
Wes Anderson's opening comedy "Moonrise Kingdom" starring Bruce Willis, Bill Murray and two young stars, was an upbeat start to this year's festival, although it may be too light-hearted to win over the Cannes jury.
The violent prohibition-era movie "Lawless", featuring Shia LaBeouf, Tom Hardy and Jessica Chastain, fell slightly flat in the eyes of many critics.
Willis, Murray, Hardy, Chastain and Sean Penn have all walked the red carpet so far, and still expected in Cannes are Brad Pitt, Nicole Kidman, Robert Pattinson, Kristen Stewart and Kanye West. — Reuters
source: gmanetwork.com
Labels:
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Celebrities,
Film Festival,
Films,
France,
Movies
Music review: Lighten up, Lady Gaga was born that way-hey
If you haven't been under a rock the past couple of weeks, you'll likely have heard that Lady Gaga's in town for a couple of concert dates at the brand spankin' new SM Mall of Asia (MOA) Arena. And you'll likely have heard that certain religious groups are up in arms and would dearly love to see her gig(s) cancelled.
These aforementioned groups cite her "immorality" and "lewd behavior and attire," branding her as some sort of demonic pied piper who might lead the youth astray with songs like the controversial “Judas.”
While we understand how these groups may feel that the aforementioned song is disrespectful toward Christianity, we cannot help but also think that it's pretty hard to seriously bristle at a song whose hook goes, "Juda-juda-ah-ah-as" repeatedly. It just sounds too silly to be truly evil.
As to Lady Gaga's attire, or the lack thereof, her dishabille is really nothing Madonna hasn't done 10 times over through the years. And check out Miley Cyrus' costumes. Bra tops and virtual panties onstage! Heck, the "Wowowee" girls' costumes are thrice as lewd and inspire thrice the pulchritude!
Of course, Lady Gaga's version of the bra-top and panties outfit is a tad more garish. Last night at the MOA Arena, she opened her concert in an outfit that made her look like a comic book super villain. Her bra top looked like it was fashioned from Kevlar. We wouldn't have been surprised if Spider-man had suddenly fallen from the rafters to engage her in battle.
It's exactly this strange, comic book kind of outlandishness that this writer finds interesting about her. And so, bearing in mind the little known 12th commandment—thou shalt not be overly serious—we witnessed her concert with an open mind, a freethinker's eyes, and a musician's ears.
Some conservatives bristle at her set design. There's a castle-like structure onstage. It's supposed to be a chapel. We detected no offensive misrepresentations of how chapels are supposed to look, nor any demonic or satanic overtones. No inverted crucifixes nor any evidence of blood sacrifices.
Indeed, we found the sheer ambitiousness and visual spectacle of the set design rather impressive.
Thankfully, Lady Gaga changed out of her Kevlar bra top and into a poufy pink/white tutu.
Don't get us wrong, though. We're not exactly Gaga fans. Long have we felt—and last night's concert proved it—that Gaga's music lacks subtlety. The electro-synth sounds were rather strident. And so too, at times, was Gaga's voice. We should've brought ear plugs. Thanks to the strident frequencies amplified hundreds of times over by The Arena's brand new state-of-the-art sound system and broadcast over thunderous new loudspeakers, our hearing may just have lost a couple more notches in the 1 to 1.5 kilohertz range.
Oh, but kudos to Henry Sy's new Arena. Its sound system is great! Sightlines are fantastic! The Arena seems to be an ideal alternative to the Araneta Coliseum—for musical and sporting events alike.
And furthermore about the controversial “Judas,” perusing the song lyrics with an open mind reveals a surprising number of possible metaphors. Give the song half a chance and it might surprise you with its unexpected depth.
As this is a concert review as opposed to a poetry/songwriting workshop, we shall spare you a literary analysis of Lady Gaga's "demonic" oeuvre.
But seriously, give the song a chance. It might surprise even the most dyed-in-the-wool Katoliko cerrado.
Reacting to protests against her concert dates, her songs and her lifestyle, and to attempts at censorship of “Judas,” Gaga said at one point, "I'm not your government's creature, Manila!"
Awright! Rock 'n’ roll!
Same goes for her stance on homosexuality. Speaking about her song "Born This Way," she waxed eloquent on how hate crimes all over the planet have just got to stop, and expressed hope that her song might help foster awareness that it can be OK to be outside the norm.
If this is the anti-Christ, she's not as bad as they said she'd be.
Indeed, we must profess a certain grudging admiration for her techno-punk rock 'n’ roll rebel pugnacity and balls out take-me-or-leave-me stance.
Would that the songcraft caught up to the politics.
But her crew? Amazing. Just flat out amazing. The dancers were incredible! And so was the band. (If we're not mistaken and if the interwebz is to be believed, her backup band is The Darkness, a British band that did quite well for itself before it caught the Mother Monster's eye.) The drummer was just insane! And he had the endurance of an Asgardian, pounding out relentless rockin' grooves from start to finish.
A few caveats, however...
Her songs all sound alike. Quick, play “Bad Romance”! Now play “Poker Face”! Right? They're the same song!
The good news is, it makes for a kick-ass set, as the songs flow and dovetail easily into one another. The bad news is, it's just lazy songcraft and lazy musicianship.
As a singer, while she won't be winning any singing contests any time soon, she's undeniably competent. She sang reasonably in tune the whole night, although again, her vocal tone can get quite strident at times.
As a dancer, she's quite good (in our uneducated opinion).
As an artist, while we stop short of calling her visionary, we must give her props for having a daring, original vision and the guts to follow through on it with daring statements and garish musical spectacle.
When her songcraft and musicianship catch up to her politics, she'll truly be a monster.
'Til then, as long as she takes her own song to heart—just dance!—she should be ok.
Kudos to Ovation Productions for putting up a satisfying show, and for not caving in to the attack of the killer squares. Kudos too to SM Mall of Asia for their great new venue, The Arena, and also for not caving in to conservative pressure. –KG, GMA News
source: gmanetwork.com
Friday
Disco queen Donna Summer dead at 63
Legendary singer Donna Summer, whose powerful voice and string of hit songs like "Bad Girls" and "Hot Stuff" provided the soundtrack for the disco era, died Thursday, her family confirmed. She was 63.
"Early this morning, we lost Donna Summer Sudano, a woman of many gifts, the greatest being her faith," family of the singer said in a statement.
"While we grieve her passing, we are at peace celebrating her extraordinary life and her continued legacy. Words truly can't express how much we appreciate your prayers and love for our family at this sensitive time."
Sources close to the family tell FoxNews.com that Summer's death came as a hugely unexpected shock. Initial reports from TMZ said that the singer had died from a battle with lung cancer, but the family did not release additional details on the cause of death.
According to Entertainment Tonight, Summer learned she had lung cancer ten months ago and had kept it a secret from friends and the public, only telling her husband and children. TMZ reports that Summer believed she had contracted the cancer from inhaling toxic particles after the 9/11 attacks in New York City, where she lived in 2001.
A funeral was planned for Monday in Nashville, ET reports.
Often called the Queen of Disco, Summer was born LaDonna Adrian Gaines on Dec. 31, 1948, in Boston. She began singing early in the church choir and by her teens had formed several musical groups.
Disco became as much defined by her sultry, sexual vocals -- her bedroom moans and sighs -- as the relentless, pulsing rhythms of the music itself.
Her first album, "Lady of the Night," arrived in 1974 in Europe, and 1975's "Love to Love You Baby" brought her worldwide fame.
In the 1978 disco film "Thank God it's Friday," her song "Last Dance" won Summer her first Grammy.
Unlike some other stars of disco who faded as the music became less popular, Summer was able to grow beyond it and later segued to a pop-rock sound. She had one of her biggest hits in the 1980s with "She Works Hard For The Money," which became another anthem, this time for women's rights.
In the mid-1980s, Summer encountered controversy when she was accused of making anti-gay comments related to AIDS. She claimed she had been misquoted but not before thousands of her records were returned and dance clubs boycotted her music.
She was never comfortable with the "Disco Queen" label. Musically, she began to change in 1979 with "Hot Stuff," which had a tough, rock `n' roll beat. Her diverse sound helped her earn Grammy Awards in the dance, rock, R&B and inspirational categories.
She released her last album, "Crayons," in 2008. She also performed on "American Idol" that year with its top female contestants.
Dionne Warwick said in a statement that she was sad to lose a great performer and "dear friend."
"My heart goes out to her husband and her children," Warwick said. "Prayers will be said to keep them strong."
Gloria Gaynor also released a statement on Summer's death, saying:
"I am deeply saddened personally for the loss of my dear friend Donna Summer. She and I have been friends for a very long time, we were both known as the ‘Queen of Disco,” but Donna always referred to me as the “First Lady of Disco.” A fine lady and human being she was. She will be missed dearly by her colleagues, friends and family. She not only made her mark in my heart as well as others, but she forever changed the way of how America danced and enjoyed themselves. She may have had her ‘Last Dance’ here on earth, but ‘Heaven Knows’ it is "dancing with joy for her arrival."
article source: http://www.foxnews.com/entertainment/2012/05/17/disco-queen-donna-summer-dead-at-63-report-says/
Jessica Sanchez makes it to American Idol's top 3
And then there were three.
From thousands of hopefuls, three contestants have been chosen to vie for the much coveted American Idol Season 11 crown, and one of them is Filipino-Mexican-American Jessica Sanchez.
Out of 70 million votes cast Wednesday (Thursday in Manila), Sanchez emerged in the top three along with Phillip Phillips and Joshua Ledet.
All of them will perform next week to determine who will be the two finalists to vie for the AI crown.
Hollie Cavanagh got the lowest number of votes and was eliminated.
By being in the top three in this year’s American Idol, Sanchez has achieved what Fil-Am Jasmine Trias did before. Trias also made it to the top three in American Idol Season 3.
Hollie Cavanagh got the lowest number of votes and was eliminated.
By being in the top three in this year’s American Idol, Sanchez has achieved what Fil-Am Jasmine Trias did before. Trias also made it to the top three in American Idol Season 3.
Standing ovation
Sanchez got a standing ovation Wednesday (Thursday in Manila) from AI judges for her rendition of “And I Am Telling You I'm Not Going" by Jennifer Holliday.
Jennifer Lopez, Steven Tyler and Randy Jackson only had good words for the petite 16-year-old.
"Another winning performance. Just over the top," Tyler said.
"With a performance like that there is nothing to say. That was amazing," Lopez added.
Jackson said, "This is one of the hardest songs to sing. You got up there and slayed it."
Sanchez also sang “Steal Away" by Etta James and got positive reviews too from the judges.Fans celebrate
Pinoys on social media are celebrating the latest win of Sanchez.
source: gmanetwork.com
Thursday
Brad Pitt Is the New Face of Chanel No. 5
Brad Pitt is keeping busy amidst all the wedding planning — the actor was just announced as the new face of Chanel No. 5. The French fashion house confirmed the news to PEOPLE earlier this morning.
The Academy Award-nominated star is reportedly shooting his first ad in London sometime this week, according to E! News.
It’s the first time in history that the house has chosen a man to represent the fragrance. Pitt joins the likes of Nicole Kidman, Vanessa Paradis, Audrey Tautou, Ali MacGraw and Lauren Hutton.
According to reports, Pitt will be paid seven figures for his work; his ad will be released overseas later this year.
source: people.com
Labels:
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Tuesday
Lindsay Lohan Dines with Woody Allen in Manhattan
Lohan, 25, dined at Manhattan restaurant Philippe over the weekend with Woody Allen, her rep confirms to PEOPLE.
There's no word on whether Lohan, who was recently cast as Elizabeth Taylor for an upcoming Lifetime movie, has plans to work with Allen professionally – but it's probably an opportunity she would welcome.
"They had dinner together [Saturday] in New York," Lohan's rep tells PEOPLE. "Lindsay very much admires Mr. Allen."
– Liz Raftery and Liz McNeil
source: people.com
Labels:
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Saturday
After sister Ara, Cristine Reyes now on to Sarah—again
MANILA, Philippines - With her very public spat with sister Ara Mina still fresh in the public’s mind, Cristine Reyes has now turned her attention to actress-singer Sarah Geronimo, apparently reviving a past altercation many believed had long been finished in a recent magazine interview.
According to an article on ABS-CBN News, Reyes took a stab at the Pop Princess in a recent Yes! magazine feature, reiterating a statement she made two years ago that Geronimo had once demanded that Cruz "be taken out of any dance-and-song number in ‘ASAP’ that she is in."
Reyes said Geronimo supposedly gave the order after she broke up with Cruz in the summer of 2010.
The same article had Reyes belying popular opinion that Cruz was Geronimo’s supposed first love, insinuating that the 23-year old pop diva have had two failed relationships—with a "director and a star"—prior to her unsuccessful romance with Cruz.
"Do'n ako parang nabo-bother. Kasi, parang hindi niya naman first heartbreak si Rayver, pero binuhos niya lahat kay Rayver ang galit niya sa lalaki," she said.
As if still eager to clear her name from allegations that she stole Cruz from Geronimo, Reyes also maintained that she and the actor became sweethearts only on September 2010 – months after the two had broken up.
"Nag-break sila summer, naging kami September. Bakit noong summer pa lang hindi siya naggagaganyan? No'ng naging kami, saka lang siya naggagaganyan? ‘Di ba, parang ano ba ‘yon?
"So ‘yon ‘yung problema niya, hindi kami ang problema niya.
“Kasi, kaya ako nagalit, September naging kami na, December binibira-bira pa niya [si Rayver] sa ‘ASAP.’ Parang pinaparinggan sa microphone, ganyan-ganyan. Hindi ko na na-take ‘yon, parang 'grabe ka na, sobra ka na.''
"Minsan nawala pa 'yan [Rayver] sa ‘ASAP.’ Alam n'yo ba na ang nagpapakain sa family niya is ‘ASAP,’ tapos 'papatanggal mo?'"
Reyes’ allegations against Geronimo first came out in 2010.
It started with Geronimo supposedly commenting that Cruz is “habulin talaga ng mga babaeng sexy,” which Reyes took as an offense against her. She lashed out at Geronimo via Twitter, allowing for a few choice words.
The feud ended—or so we thought—with Geronimo sharing the proverbial peace pipe with Reyes at the backstage of “ASAP,” in March last year.
Only recently, Reyes and Cruz were alleged to have broken up.
Geronimo is now romantically linked to actor Gerald Anderson.
source: mb.com.ph
Friday
Hollywood courts women to boost superhero summer
LOS ANGELES - When Disney's superhero movie "The Avengers" hits U.S. theaters on Friday, the actors who play Captain America and Thor will chat up the hosts of female-oriented TV talk show "The View."
Hollywood is putting on a full-court press to attract women to summer movies. With a full slate of big-budget action films from Sony's "The Amazing Spider-Man" to Warner Bros' "The Dark Knight Rises" vying for the same fanboy audience, female filmgoers may hold the key to box-office dominance.
Opening weekend sales for "Avengers" could reach $155 million, a performance that would put it in line with the biggest U.S. and Canadian film openings of all time, said Keith Simanton, managing editor of movie website IMDB.com.
"You can't do $155 million with just guys," he said. "It's got to be a date night. It's got to be an event."
Hoping to reach the record books, studios are trying out new ways to get their superhero movie messages beyond the male-dominated comic-book crowd and in front of women.
Sony, for the first time, is using a cosmetics promotion for its new "Spider-Man" movie that reaches theaters July 3.
The studio partnered with nail-polish maker OPI for a movie-themed line promoted in women's magazines including Lucky and O, The Oprah Magazine. Nail colors sport names like "Your Web or Mine?," "My Boyfriend Scales Walls," and "Call me Gwen-ever," a nod to Spider-Man love interest Gwen Stacy.
Featuring relationships and strong female characters, rather than just action, is one way film marketers try to lure women. Stacy, played by Emma Stone, is "such an integral part of the story, so we wanted to highlight that in the marketing," said Marc Weinstock, president of worldwide marketing for Sony Pictures.
"It's a testament to the audience and how broad this movie goes," he said.
For "Avengers," Disney's Marvel studio sent its superheroes to the pages of women's magazines and female-targeted TV shows.
Scarlett Johansson appeared on the cover of Vogue and talked to the magazine about her role as Black Widow, one of the few female superheroes on the big screen. Cast members posed in InStyle, Elle, People and other magazines, and chatted on talk shows such as "Good Morning America" and "Live! with Kelly."
On the ABC Family network, moms and daughters saw sneak peeks of "Avengers." The movie's red-carpet premiere was streamed live on websites such as E! and PopSugar.
Time Warner Inc's Warner Bros, meanwhile, is gearing up its marketing for another superhero flick, Batman sequel "The Dark Knight Rises." A trailer released online ahead of the July 20 release features a steamy kiss between Batman alter-ego Bruce Wayne and colleague Miranda Tate, giving a heavy dose of romance.
Anne Hathaway's Catwoman, featured prominently in the trailer, appears to play an empowered female role that could draw in women, IMDB's Simanton said.
The summer pursuit of women follows this year's runaway success, "The Hunger Games." The movie is the biggest film of the year so far with more than $600 million in global ticket sales, thanks to female fans who flocked to see resourceful warrior Katniss Everdeen and joined males who turned out for the sci-fi and action elements.
This year's smash hit shows the upside of marketing to women, said Susie Rantz, a spokeswoman for GeekGirlCon, a group that runs a convention celebrating women's roles in geek culture from comics to science and gaming.
The "Hunger Games" success provided Hollywood with "a wake-up call that females in general like action-oriented movies," Rantz said. - Reuters
source: gmanetwork.com
Labels:
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Summer Movies,
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Facebook plans to raise $10.6B in mega IPO
SAN FRANCISCO—Facebook Inc. aims to raise about $10.6 billion in Silicon Valley's largest IPO, dwarfing the coming-out parties of tech companies like Google Inc. and granting the world's largest social network a market value close to Amazon.com's.
The eight-year-old social network that began as Mark Zuckerberg's Harvard dorm room project indicated an initial public offering price range of between $28 and $35 a share on Thursday, which would value the company at $77 billion to $96 billion.
The size of the IPO reflects the company's growth and bullish expectations about its money-making potential as a hub for everything from advertising to commerce.
"We certainly haven't ever seen a tech IPO on this grandiose a scale," said Lise Buyer, a principal with the IPO advisory firm Class V Group.
Buyer, who worked on Google's 2004 IPO, said the question about a company "that's already this big and that is raising this much money is how many of the glory days of growth are in the past versus how many are ahead."
Facebook stands to raise as much as $12 billion at the upper end of its planned range. If an over-allotment or "greenshoe" option is triggered, the company could sweep up a maximum of $13.6 billion, according to a Thursday prospectus.
Facebook is only getting about half, or $5.6 billion, of the estimated $10.6 billion that it would raise at the midpoint of its planned IPO range. About $4.9 billon will go to some existing shareholders.
Facebook's stock could begin trading as soon as May 18, according to a road show schedule obtained by Reuters. The offering's price range can be adjusted depending on Wall Street's response during the road show.
Investors are expected to flock to the highly anticipated IPO, although there have been growing concerns about the social network's longer-term growth and Zuckerberg's majority control.
Facebook will trade at 13 to 16 times the revenue that GreenCrest Capital analyst Max Wolff believes it will generate this year. By comparison, Google, the world's dominant Internet search engine, currently trades at 5.5 to 6 times expected 2012 revenue, he said.
Google's valuation was higher when it went public in 2004, though Facebook's IPO valuation is still higher than Google's was back then, Wolff noted.
But some observers said the rich premium was unlikely to deter investors.
"People are going to be very comfortable with this valuation," said Sam Schwerin of Millennium Technology Value Partners, which owns Facebook shares worth roughly $200 million. The firm is not selling in the IPO.
"A price range of $28 to $35 will be a relief to some people who are concerned that they may try to take the highest possible price because of high demand," he said.
"The amount being raised is noteworthy. Selling stockholders are raising about $5 billion in the IPO, which is a lot."
Facebook executives are due to hit the road on Monday, presenting their investment case to audiences. They will start in New York, go to other major cities such as Chicago and Boston, and end up on Facebook's home turf in Menlo Park, California, according to the schedule.
Zuckerberg is expected to participate in the two-week road show, a source has said, although chief operating officer Sheryl Sandberg and finance chief David Ebersman will lead the briefings.
Tantalizing Wall Street
Zuckerberg's involvement in the road show will be key for investors with concerns about Facebook's long-term strategy and money-making potential, said Brian Wieser, an analyst with Pivotal Research Group.
Zuckerberg's control of the company–which was underscored when he orchestrated the $1 billion acquisition of mobile app maker Instagram last month–means that investors need to "get comfortable" with the 27-year-old CEO, said Wieser.
Last week, Facebook reported its first quarter-to-quarter revenue slide in at least two years, a sign that the social network's sizzling growth may be cooling just as it prepares to go public. Some observers have also flagged the company's lack of revenue on mobile devices such as smartphones as an area of concern.
Dressed in a gray t-shirt and jeans, the copper-haired Zuckerberg appeared in a 31-minute road show video posted online on Thursday. In the video, Zuckerberg predicted that in five years almost every software app would be integrated with Facebook.
Facebook generated the lion's share of its $3.7 billion in revenue last year from online advertising. It also collects fees when consumers use its special Credits currency to purchase virtual goods in social games such as Zynga's Farmville. The company has said it may expand the use of its payment business beyond games.
Facebook–which plans to list its stock on the Nasdaq under the ticker "FB"–has long tantalized investors with the prospect of a mega IPO.
As a private company, shares of Facebook have traded briskly in secondary markets for the past couple of years, as investors sought to get a piece of the fast-growing company ahead of its expected IPO.
The IPO price range indicated in Facebook's filing on Thursday would value the company a hair below the level it has traded at in the secondary markets in recent months, with some trades valuing the company at slightly more than $100 billion.
But some investors think Facebook, which touts 900 million users worldwide, is setting itself a fairly conservative target.
"The price range may be tactical. They will likely walk the range up," Schwerin argued.
Facebook plans to sell 337.4 million shares, or 12.3 percent of the company, in the offering. The capital-raising target far outstrips big Internet IPOs that came before it. Google raised just shy of $2 billion in 2004, while last year Groupon tapped investors for $700 million and Zynga raked in $1 billion.
At the top end of the IPO range, Facebook would rival the market value of Amazon.com and Cisco Systems Inc., which are worth just over $100 billion, and surpass the combined market value of older technology companies Hewlett-Packard Co. and Dell Inc.
Among existing shareholders, the largest seller in the IPO will be venture capital firm Accel Partners, which will make about $1.2 billion assuming the shares sell at the $31.5 mid-point. Zuckerberg is selling the next largest chunk of shares, worth a little under $1 billion.
Facebook said that a "substantial majority" of the proceeds from Zuckerberg's stock sale will be used to satisfy taxes he will incur from exercising his options.
In its prospectus, Facebook said the "lock-up" period, during which employees cannot sell shares after the IPO, would range from 151 days to 181 days.
Facebook also added two new underwriters, including online broker E*Trade Securities. The broker caters to retail clients who some have speculated may try to pile into the IPO.
"No doubt Facebook doesn't want to upset the average mom and pop out there," said Craig Huber, research analyst, at independent research firm Huber Research Partners. —Reuters
source: gmanetwork.com
The eight-year-old social network that began as Mark Zuckerberg's Harvard dorm room project indicated an initial public offering price range of between $28 and $35 a share on Thursday, which would value the company at $77 billion to $96 billion.
The size of the IPO reflects the company's growth and bullish expectations about its money-making potential as a hub for everything from advertising to commerce.
"We certainly haven't ever seen a tech IPO on this grandiose a scale," said Lise Buyer, a principal with the IPO advisory firm Class V Group.
Buyer, who worked on Google's 2004 IPO, said the question about a company "that's already this big and that is raising this much money is how many of the glory days of growth are in the past versus how many are ahead."
Facebook stands to raise as much as $12 billion at the upper end of its planned range. If an over-allotment or "greenshoe" option is triggered, the company could sweep up a maximum of $13.6 billion, according to a Thursday prospectus.
Facebook is only getting about half, or $5.6 billion, of the estimated $10.6 billion that it would raise at the midpoint of its planned IPO range. About $4.9 billon will go to some existing shareholders.
Facebook's stock could begin trading as soon as May 18, according to a road show schedule obtained by Reuters. The offering's price range can be adjusted depending on Wall Street's response during the road show.
Investors are expected to flock to the highly anticipated IPO, although there have been growing concerns about the social network's longer-term growth and Zuckerberg's majority control.
Facebook will trade at 13 to 16 times the revenue that GreenCrest Capital analyst Max Wolff believes it will generate this year. By comparison, Google, the world's dominant Internet search engine, currently trades at 5.5 to 6 times expected 2012 revenue, he said.
Google's valuation was higher when it went public in 2004, though Facebook's IPO valuation is still higher than Google's was back then, Wolff noted.
But some observers said the rich premium was unlikely to deter investors.
"People are going to be very comfortable with this valuation," said Sam Schwerin of Millennium Technology Value Partners, which owns Facebook shares worth roughly $200 million. The firm is not selling in the IPO.
"A price range of $28 to $35 will be a relief to some people who are concerned that they may try to take the highest possible price because of high demand," he said.
"The amount being raised is noteworthy. Selling stockholders are raising about $5 billion in the IPO, which is a lot."
Facebook executives are due to hit the road on Monday, presenting their investment case to audiences. They will start in New York, go to other major cities such as Chicago and Boston, and end up on Facebook's home turf in Menlo Park, California, according to the schedule.
Zuckerberg is expected to participate in the two-week road show, a source has said, although chief operating officer Sheryl Sandberg and finance chief David Ebersman will lead the briefings.
Tantalizing Wall Street
Zuckerberg's involvement in the road show will be key for investors with concerns about Facebook's long-term strategy and money-making potential, said Brian Wieser, an analyst with Pivotal Research Group.
Zuckerberg's control of the company–which was underscored when he orchestrated the $1 billion acquisition of mobile app maker Instagram last month–means that investors need to "get comfortable" with the 27-year-old CEO, said Wieser.
Last week, Facebook reported its first quarter-to-quarter revenue slide in at least two years, a sign that the social network's sizzling growth may be cooling just as it prepares to go public. Some observers have also flagged the company's lack of revenue on mobile devices such as smartphones as an area of concern.
Dressed in a gray t-shirt and jeans, the copper-haired Zuckerberg appeared in a 31-minute road show video posted online on Thursday. In the video, Zuckerberg predicted that in five years almost every software app would be integrated with Facebook.
Facebook generated the lion's share of its $3.7 billion in revenue last year from online advertising. It also collects fees when consumers use its special Credits currency to purchase virtual goods in social games such as Zynga's Farmville. The company has said it may expand the use of its payment business beyond games.
Facebook–which plans to list its stock on the Nasdaq under the ticker "FB"–has long tantalized investors with the prospect of a mega IPO.
As a private company, shares of Facebook have traded briskly in secondary markets for the past couple of years, as investors sought to get a piece of the fast-growing company ahead of its expected IPO.
The IPO price range indicated in Facebook's filing on Thursday would value the company a hair below the level it has traded at in the secondary markets in recent months, with some trades valuing the company at slightly more than $100 billion.
But some investors think Facebook, which touts 900 million users worldwide, is setting itself a fairly conservative target.
"The price range may be tactical. They will likely walk the range up," Schwerin argued.
Facebook plans to sell 337.4 million shares, or 12.3 percent of the company, in the offering. The capital-raising target far outstrips big Internet IPOs that came before it. Google raised just shy of $2 billion in 2004, while last year Groupon tapped investors for $700 million and Zynga raked in $1 billion.
At the top end of the IPO range, Facebook would rival the market value of Amazon.com and Cisco Systems Inc., which are worth just over $100 billion, and surpass the combined market value of older technology companies Hewlett-Packard Co. and Dell Inc.
Among existing shareholders, the largest seller in the IPO will be venture capital firm Accel Partners, which will make about $1.2 billion assuming the shares sell at the $31.5 mid-point. Zuckerberg is selling the next largest chunk of shares, worth a little under $1 billion.
Facebook said that a "substantial majority" of the proceeds from Zuckerberg's stock sale will be used to satisfy taxes he will incur from exercising his options.
In its prospectus, Facebook said the "lock-up" period, during which employees cannot sell shares after the IPO, would range from 151 days to 181 days.
Facebook also added two new underwriters, including online broker E*Trade Securities. The broker caters to retail clients who some have speculated may try to pile into the IPO.
"No doubt Facebook doesn't want to upset the average mom and pop out there," said Craig Huber, research analyst, at independent research firm Huber Research Partners. —Reuters
source: gmanetwork.com
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